Browse: DVD Video, Elisabeth Kulman (contralto)
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Beethoven: Missa Solemnis in D major, Op. 123
Marlis Petersen (soprano), Elisabeth Kulman (contralto), Werner Güra (tenor) & Gerald Finley (bass)
Royal Concertgebouw Orchestra & Netherlands Radio Choir, Nikolaus Harnoncourt
This is exceptional. There are certainly many different valid ways to perform the Missa solemnis, but it's hard to imagine they will surpass this outstanding version...The Royal Concertgebouw... — More…
Awards:
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BBC Music Magazine, October 2013, DVD Choice
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Mozart: Così fan tutte
Mari Eriksmoen (Fiordiligi), Katija Dragojevic (Dorabella), Mauro Peter (Ferrando), Andrè Schuen (Guglielmo), Elisabeth Kulman (Despina), Markus Werba (Don Alfonso), Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. — More…
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Reimann, A: Medea
Marlis Petersen (Medea), Michaela Selinger (Kreusa), Elisabeth Kulman (Gora), Michael Roider (Kreon) & Adrian Eröd (Jason)
Orchester der Wiener Staatsoper, Michael Boder
This is a taut, gripping work...Marlis Petersen is outstanding in the demanding title role, more than ably supported by Adrian Eröd's uneasy Jason, and Michaela Selinger's naive Kreusa. Max Emanuel... — More…
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Bach, J S: Mass in B minor, BWV232
Christina Landshamer (soprano), Elisabeth Kulman (alto), Wolfram Lattke (tenor) & Luca Pisaroni (bass)
Gewandhausorchester Leipzig & Dresdner Kammerchor, Herbert Blomstedt
Blomstedt is never bent on point-scoring didacticism, His is a truthful account; prayerful, reverential, intent on welding the disparate movements into a caressing over-arching entity… Among... — More…
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Mozart: Le nozze di Figaro
Mari Eriksmoen (Susanna, Andrè Schuen (Figaro), Christine Schäfer (Countess), Bo Skovhus (Count), Elisabeth Kulman (Cherubino)
Concentus Musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. — More…