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Rossini: Il barbiere di Siviglia
RecommendedJuan Diego Florez (Count Almaviva), Joyce DiDonato (Rosina), Pietro Spagnoli (Figaro), Alessandro Corbelli (Doctor Bartolo), Ferruccio Furlanetto (Don Basilio), Jennifer Rhys-Davies (Berta), Changhan Lim (Fiorello)
The Royal Opera House, Antonio Pappano
Juan Diego Florez is the Almaviva of one's dreams, vocally and musically impeccable...and an actor of enormous charm and intelligence, whilst in the title role Pietro Spagnoli offers warmth and... — More…
Awards:
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Presto Recording of the Week, 5th April 2010
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BBC Music Magazine, August 2010, DVD Choice
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Verdi: Don Carlo
RecommendedFive-act version, sung in Italian
Rolando Villazon (Don Carlo), Marina Poplavskaya (Elisabetta di Valois), Simon Keenlyside (Rodrigo), Ferruccio Furlanetto (Philip II), Sonia Ganassi (Eboli), Eric Halfvarson (Grand Inquisitor)
Royal Opera House, Antonio Pappano, Nicholas Hytner
the love-torn relationship of the titular prince and the fiancée stolen from him by his father the king is sensitively staged and played: Rolando Villazon (in less uncertain voice than reportedly... — More…
Awards:
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Gramophone Awards, 2011, Winner - DVD Performance
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Verdi: Don Carlo
Four-act version
Stuart Neill (Don Carlo), Ferruccio Furlanetto (Filippo II), Dalobor Jenis (Rodrigo), Anatolij Kotscherga (Il Grand Inquisitore), Fiorenza Cedolins (Elisabetta), Dolora Zajick (Eboli), Irena Bespalovaite (Voce dal Cielo)
Orchestra e Coro del Teatro alla Scala, Daniele Gatti
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Mozart: Così fan tutte, K588
Edita Gruberova, Teresa Stratas, Luis Lima & Ferruccio Furlanetto
Wiener Philharmoniker, Nikolaus Harnoncourt
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Offer,
Giuseppe Verdi: La forza del destino Saioa Hernández (Leonora), Roberto Aronica (Don Alvaro), Amartuvshin Enkhbat (Don Carlo), Annalisa Stroppa (Preziosilla), Ferruccio Furlanetto (Padre Guardiano), Nicola Alaimo (Fra Melitone)
Maggio Musicale Fiorentino, Carlus Padrissa (La Fura del Baus), Zubin Mehta
There are some excellent musical performances in this new production of La forza del destino, recorded last year at the Teatro del Maggio Musicale in Florence, not least from the house orchestra,... — More…
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The Verdi Collection
Matteo Manuguerra (Nabucco), Veriano Luchetti (Ismaele), Nicolai Ghiaurov (Zaccaria), Renata Scotto (Abigaille), Elena Obraztsova (Fenena), Robert Lloyd (Gran Sacerdote), Kenneth Collins (Abdallo), Anne Edwards (Anna), Plácido Domingo (Ernani), Mirella Freni (Elvira), Renato Bruson (Carlo), Nicolai...
28 CDs + DVD Video
$108.25 -
Offer,
Verdi: Simon Boccanegra Thomas Hampson (SImon Boccanegra), Cristina Gallardo-Domâs (Amelia/Maria), Ferruccio Furlanetto (Fiesco), Miroslav Dvorský (Gabriele Adorno), Boaz Daniel (Paolo), Dan Paul Dumitrescu (Pietro)
Chorus and Orchestra of The Vienna State Opera, Daniele Gatti (conductor) & Peter Stein (director)
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Offer,
Boito: Mefistofele Ferruccio Furlanetto (Mefistofele), Giuseppe Filianoti (Faust), Dimitra Theodossiou (Margherita / Elena), Sonia Zaramella (Marta), Monica Minarelli (Pantalis) & Mimmo Ghegghi (Wagner/ Nereo)
Teatro Massimo, Stefano Ranzani, Giancarlo Del Monaco
This is an opera (I conclude) to be heard and not seen. The opportunities for excess are just too many and too tempting. The production avoids stained-glass religiosity but resorts to a symbolism... — More…
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Rossini: Il barbiere di Siviglia
Dmitry Korchak (Il Conte d’Almaviva), Carlo Lepore (Bartolo), Nino Machaidze (Rosina), Leo Nucci (Figaro), Ferruccio Furlanetto (Basilio), Manuela Custer (Berta), Nicolò Ceriani (Fiorello/Ambrogio) & Gocha Abuladze (Un Ufficiale)
Arena di Verona Orchestra, Chorus, Ballet and Technical Team,...
Nucci’s Figaro is something for the archives…Korchak confirms his position as one of the best of today’s Almavivas, while Nino Machaidze is a pleasingly aggregable (and, where necessary, pleasingly... — More…
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Verdi: Macbeth
Dimitris Tiliakos (Macbeth), Ferruccio Furlanetto (Banco), Violeta Urmana (Lady Macbeth), Letitia Singleton (Dama), Stefano Secco (Macduff)
Orchestre et Choeurs de l’Opéra national de Paris & Maîtrise des Hauts-de-Seine, Teodor Currentzis
Personal relationships are illuminatingly handled in spite of Tcherniakov's aversion to monologues. Home viewing produces, I guess, a more accessible experience than the audience had in Paris's... — More…
