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Joyce & Tony
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Live at the Wigmore Hall
Joyce DiDonato (mezzo-soprano) & Antonio Pappano (piano)
both of these artists know how to deliver popular material with skill and grace...[in the Haydn] DiDonato's interpretative imagination matches Tony Pappano's thoughtful and pianistic approach...[Pappano]... — More…
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New, L'amour, la mort, la mer
Patricia Petibon (soprano), Philippe Marchand (percussion), Susan Manoff (piano), David Venitucci (accordion), Ronan Le Bars (bagpipe), Olivier Py (vocal)
Le chant des lendemains
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a musical personality of a beguiling charm, a quality rarely encountered in today's more severe musical climate...You are reminded, too, of a naturalness and insouciance far removed from so many... — More…
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2 CDs
$16.00In stock
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Avital's follow-up to his superb recording of Bach concertos only confirms that we already knew: that here is a musician who recognises no boundaries except those of good taste, and who has the... — More…
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Villa-Lobos - Chôros Volume 2
Fabio Zanon (guitar), Dante Yenque, Ozéas Arantes & Samuel Hamzem (horn) & Darrin Coleman Milling (bass trombone), Linda Bustani and Ilan Rechtman (piano)
São Paulo Symphony Orchestra, John Neschling
How many Chôros are there? Fourteen numbered examples (with two claimed as “lost”), two Chôrosbis, a Wind Quintet en forme de Chôros and a con- cluding (!) choral-and-orchestral “Introduction... — More…
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Heitor Villa-Lobos: Guitar Concerto & Harmonica Concerto
Manuel Barrueco (guitar), José Staneck (harmonica)
São Paulo Symphony Orchestra, OSESP Ensemble, Giancarlo Guerrera
An enjoyable tour of the Brazilian’s concertos and chamber works including the lesser-known, winsome Harmonica Concerto. The guitar Concerto gets a fine advocate in soloist Manuel Barrueco. — More…
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Aline Van Barentzen: Her earliest recordings and Chopin, Liszt & Villa-Lobos
Aline Van Barentzen (piano)
unforced beauty and evocación with fingerwork of utmost creaminess … The poetic, tonal nuances of her Chopin Nocturne in D-flat Op27/1…and Liszt’s ‘Un sospiro’… are a lesson in letting music... — More…
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In his flowing, pellucid interpretations Garcia himself seems to be inspired by Bach’s name, and throughout much of the programme there’s a compelling tension between the rippling enunciation... — More…
