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Baroque Voices 11 - Pergolesi & Scarlatti: Stabat Mater
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Gemma Bertagnolli & Sara Mingardo
Concerto Italiano, Rinaldo Alessandrini
This is a totally Italianate performance of both high drama and moving pathos...Alessandrini's instrumental support could not be more telling, and the recording is made in an ideal acoustic. — More…
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Offer, Rosso - Italian Baroque Arias
Patricia Petibon (soprano)
Venice Baroque Orchestra, Andrea Marcon
This enterprisingly planned recital confirms Patricia Petibon as a singing actress with few peers in Baroque opera...it is hard to resist the mesmeric intensity of Petibon's singing...[Marcon's]... — More…
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Arias for Senesino
Andreas Scholl
Accademia Dantone, Ottavio Dantone
…Andreas Scholl… has developed the confidence and showmanship of a seasoned dramatic artist. Scholl's collaboration with Accademia Bizantina is proving to be a fruitful one which has breathed... — More…
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Opera Proibita
includes arias from Handel, A Scarlatti & Caldara
Cecilia Bartoli
Les Musiciens du Louvre, Marc Minkowski
Bartoli is on marvellous form in these arias - a truly wonderful disc — More…
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Cleopatra - Baroque Arias
Regula Mühlemann (soprano)
La Folia Barokorchester, Robin Peter Müller
Mühlemann makes everything sound easy. But it’s not just virtuosity, as the beauty of her voice also stops you in your tracks. — More…
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Arie Napoletane: Max Emanuel Cencic
Max Emanuel Cencic (countertenor)
Il Pomo D'Oro, Maxim Emelyanychev
Cencic negotiates this complex emotional parabola wonderfully well. This is a great voice, dark in tone, beguiling in its liquidity and finely equalised. His coloratura flows with great ease...though... — More…
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Francesca Aspromonte: Prologue
Music by Monteverdi, Caccini, Cavalli, Stradella & Scarlatti
Francesca Aspromonte (soprano)
Il pomo d’oro, Enrico Onofri
The material is somewhat limiting – all those beginnings and no endings – but it gives her more scope than one might think. — More…
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The Record of Singing – The Very Best of Volumes 1-4
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From 1899 to the end of the 78 era: 1899-1952
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Alessandro Scarlatti: Con eco d'amore
Elizabeth Watts (soprano), Mark Bennett (trumpet), Huw Daniel (violin) & Laurence Cummings (continuo, director)
The English Concert
As her career has progressed, Watts hasn't lost the ability to get to the heart of an aria and peel back the layers…there's scintillating playing from The English Concert, including a dashing... — More…
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Siface: L’amor castrato
Arias by Stradella, Pasquini, Cavalli, Scarlatti et al.
Filippo Mineccia (countertenor)
Nereydas, Javier Ulises Illán
This is repertory...that for the most part suits his dark, handsome-sounding alto uncommonly well. Long, slowly unfolding lines are sustained with consummate ease and his coloratura has admirable... — More…
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$14.50