Blu-Ray Video, Katie Mitchell (stage director)
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Benjamin, G: Written on Skin
RecommendedChristopher Purves (Protector), Barbara Hannigan (Agnès), Bejun Mehta (First Angel/Boy), Victoria Simmonds (Second Angel/Marie) & Allan Clayton (Third Angel/John)
Royal Opera Chorus & Orchestra of the Royal Opera House, George Benjamin (conductor) & Katie Mitchell (director)
This is an outstanding release in every way...Benjamin's extraordinary music is breathtaking in its lightly worn compositional virtuosity...The cast is sensational...Hannigan deserves all the... — More…
Awards:
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Presto Recordings of the Year, Finalist 2014
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Gramophone Awards, 2014, Winner - Contemporary
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Diapason d’Or de l’Année, 2014, Winner - Musique contemporaine
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George Benjamin: Lessons in Love and Violence
RecommendedStéphane Degout (King), Barbara Hannigan (Isabel), Gyula Orendt (Gaveston/Stranger), Peter Hoare (Mortimer), Samuel Boden (Boy/Young King)
Orchestra of The Royal Opera House, George Benjamin, Katie Mitchell
His orchestral imagination is prodigious, and both as a composer and conductor he conjures up memorable soundscapes full of jittery tension…the entire cast seems convinced it is creating something... — More…
Awards:
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Presto Recording of the Week, 28th December 2018
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Diapason d’Or, May 2019
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Presto Recordings of the Year, Finalist 2019
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George Benjamin: Written on Skin & Lessons in Love and Violence
Christopher Purves (Protector), Barbara Hannigan (Agnès), Bejun Mehta (First Angel/Boy), Victoria Simmonds (Second Angel/Marie) & Allan Clayton (Third Angel/John), Stéphane Degout (King), Barbara Hannigan (Isabel), Gyula Orendt (Gaveston/Stranger), Peter Hoare (Mortimer), Samuel Boden (Boy/Young...
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Special offer. Donizetti: Lucia di Lammermoor
Diana Damrau (Lucia), Charles Castronovo (Edgardo), Ludovic Tézier (Enrico), Taylor Stayton (Arturo), Kwangchul Youn (Raimondo), Rachael Lloyd (Alisa), Peter Hoare (Normanno)
Orchestra and Chorus of the Royal Opera House, Daniel Oren, Katie Mitchell (dir.)
The staging is over-stuffed but it is not stupid or careless…Minute alterations in the textures of Donizetti’s orchestration are brilliantly clear. Were you not already persuaded that the opera... — More…
