George Malcolm
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Mozart - Wind Concertos
Gervase de Peyer (clarinet), William Bennett (flute), John Mack (oboe), David McGill (bassoon), Barry Tuckwell (horn)
London Symphony Orchestra, English Chamber Orchestra, The Cleveland Orchestra, Peter Maag, George Malcolm, Christoph von Dohnanyi
[de Peyer's] account remains as fine as any available, fluent and lively...Tuckwell at the time was proving a natural inheritor of the mantle of Dennis Brain. His easy technique, smooth, warm... —
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Vivaldi & Bach: Concertos for 3 & 4 Harpsichords
Thurston Dart, Eileen Joyce, Denis Vaughan (harpsichords), George Malcolm (harpsichords)
Pro Arte Orchestra, The Bach Choir, Jacques Orchestra, Boris Ord, Reginald Jacques
This is a most enjoyable programme, with excellent notes by Mahan Esfahani and Peter Bromley. —
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Recorder Sonatas
Recommendedworks by Vivaldi, Corelli, Marcello, Bigaglia, Bononcini & Sammartini
Michala Petri (recorder), George Malcolm (harpsichord)
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Penguin Guide, Rosette
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Benjamin Britten: Choral Music
Michael Hartnett, Jonathan Steele, Philip Todd, Donald Francke, Saint John's College Choir, Worcester Cathedral Choir, New College Choir, The Purcell Singers, Lso Choir, Choir of Trinity College Cambridge, George Guest, Donald Hunt, David Lumsden, Benjamin Britten, George Malcolm, Richard Marlow
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Bach: Violin Concertos & Brandenburg Concerto No. 4
David Oistrakh (violin), Igor Oistrakh (violin)
Vienna Philharmonic, Royal Philharmonic Orchestra, Moscow Chamber Orchestra, Eugene Goossens, Rudolf Barshai
Orchestrally plush and steadfast by modern standards, yet David Oistrakh and his son Igor play the violin concertos with exemplary style and finesse, alongside a welcome Melodiya Brandenburg... —
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Special offer. Handel: Concerti Grossi Op. 6, Vol. 1 - Nos. 1 - 4
Northern Sinfonia of England, George Malcolm
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JS Bach: Violin Concertos BWV 1041-1043
David Oistrakh (violin), Georg Fischer (harpsichord), Igor Oistrakh (violin), George Malcolm (cembalo)
Wiener Symphoniker, Royal Philharmonic Orchestra, Eugene Goossens
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Flaunting a flair for registration that sounds like Stokowski loosed on the harpsichord, George Malcolm’s groundbreaking Goldbergs belatedly make it to CD: clear-sighted, sometimes unyielding. —
