Giovanni Guzzo

It’s an intriguing selection, and here it’s been beautifully brought off…It perhaps sounds – unintentionally – like a back-handed compliment, but I don’t think I’ve ever enjoyed a bassoon chamber... — Gramophone Magazine, October 2022More…

these are careful and insightful performances of pieces whose identities are predicated upon profoundly different principles...In fact, all three sonatas are conjoined by [the] need to combine... — Gramophone Magazine, December 2014More…

All [is] delivered by Guzo with a sonic winsomeness that beguiles the ear. The brilliance of his playing is involving rather than hectoring, and he sounds untroubled throughout the cycle by... — BBC Music Magazine, September 2017, 4 out of 5 starsMore…

I love how the players unfurl the first movement [of Opo. 26] as if in a single, unbroken line with each section flowing seamlessly into the next, while the finale abounds with swagger and rhythmic... — Gramophone Magazine, May 2024More…