Yann Beuron
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Méhul: Uthal
RecommendedKarine Deshayes (Malvina), Yann Beuron (Uthal), Jean-Sébastien Bou (Larmor), Sébastien Droy (Ullin), Philippe-Nicolas Martin (Le Chef des Bardes / Le Troisième Barde)
Les Talens Lyriques & Choeur de Chambre de Namur, Christophe Rousset
Yann Beuron is the keenly engaged Uthal, while Jean-Sébastien Bou gives Larmor a wronged nobility and Karine Deshayes is consistently expressive as the anguished Malvina. There’s characterful... — More…
Awards:
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Presto Recording of the Week, 24th February 2017
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Gramophone Awards, 2017, Shortlisted - Opera
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Presto Recordings of the Year, Finalist 2017
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International Opera Awards, 2018
CD + Book
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Offenbach: La Belle Helène
Dame Felicity Lott (Hélène), Yann Beuron (Paris), Michel Sénéchal (Ménélas), Laurent Naouri (Agamemnon), François Le Roux (Calchas), Eric Huchet (Achille), Marie-Ange Todorovitch (Oreste)
Les Musiciens du Louvre - Grenoble, Choeur des Musiciens du Louvre, Marc Minkowski
The wit sparkles, the one-liners are beautifully timed and delivered, and there's none of the 'big opera star does laboured comic turn' heaviness you sometimes hear in this kind of production...Beuron... — More…
Awards:
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Gramophone Magazine, Awards Issue 2001, Editor's Choice
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Offenbach: La Grande-Duchesse de Gérolstein
RecommendedDame Felicity Lott (La Grande Duchesse), Sandrine Piau (Wanda), Yann Beuron (Fritz), Franck Leguérinel (Le Baron Puck), Eric Huchet (Le Prince Paul), François Le Roux (Le Général Boum), Boris Grappe (Le Baron Grog), Alain Gabriel (Népomuc), Maryline Fallot (Iza), Blandine Staskiewicz (Olga), Jennifer...
Offenbach's 1867 opéra bouffe is here brought back to life in an all-singing, all-dancing staging that bursts with energy from start to finish. Laurent Pelly's production, recorded here at... — More…
Awards:
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Presto Favourites, Recommended Recording
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Offenbach: Orphée aux Enfers RecommendedYann Beuron (Orphée), Natalie Dessay (Euridice), Laurent Naouri (Jupiter), Jean-Paul Fouchecourt (Pluton-Aristée), Ewa Podles (L'Opinion Publique), Patricia Petibon (Cupidon), Jennifer Smith (Diane), Veronique Gens (Vénus), Steven Cole (John Styx), Virginie Pochon (Minerve), Etienne Lescroart (Mercure)
Grenoble...
Both the 'earthly' leads are superb: Natalie Dessay's secure, clear coloratura is well employed as the nagging wife...and one feels sorry for her hapless husband, Orphee, amiably characterized... — More…
Awards:
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Presto Favourites, Recommended Recording
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Gluck: Iphigénie en Tauride
RecommendedMireille Delunsch, Simon Keenlyside, Yann Beuron, Laurent Naouri, Alexia Cousin
Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski
Simon Keenlyside (Orestes) has a wonderful command of this high-octane recitative style… The French soprano Mireille Delunsch is an insightful Iphigenia… Marc Minkowski's performance proves... — More…
Awards:
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Building a Library, October 2007, First Choice
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Gounod: Roméo et Juliette Roberto Alagna, Angela Gheorghiu, José van Dam, Simon Keenlyside, Marie-Ange Todorovitch & Alain Fondary
Choeur et Orchestre du Capitole de Toulouse, Michel Plasson
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Rameau: Hippolyte et Aricie
RecommendedMark Padmore, Anne-Marie Panzarella, Lorraine Hunt, Laurent Naouri & Eirian James
Les Arts Florissants, William Christie
Awards:
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Gramophone Awards, 1997, Winner - Early Opera
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Bizet: Carmen Angela Gheorghiu (Carmen), Roberto Alagna (Don José), Inva Mula (Micaëla), Thomas Hampson (Escamillo)
La Lauzeta, Choeur d'enfants de Toulouse, Choeur 'Les Éléments', Orchestre National du Capitole de Toulouse, Michel Plasson
Michel Plasson draws some very fine playing indeed from the Toulouse orchestra, and his choice of speeds seems just right, never resorting to extreme effects. The one moment when things get... — More…
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Bizet: Carmen Angela Gheorghiu (Carmen), Roberto Alagna (Don José), Inva Mula (Micaëla), Thomas Hampson (Escamillo), Elizabeth Vidal (Frasquita), Isabelle Cals (Mercédès), Ludovic Tézier (Moralès), Nicolas Cavallier (Zuniga), Nicolas Rivenq (Le Dancaïre), Yann Beuron (Le Remendado), Anne Gotkovsky (A Fruitseller)...
Stylish conductor Plasson adds two rarities to the standard recitative edition - a comic scene in the first act, and an early version of the Habanera. — More…
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Davis was seemingly Berlioz’s disciple on earth, and this was the glorious late flowering of his love for the composer…Les Troyens crackles with a theatricality that outshines even the pioneering... — More…Awards:
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International Classical Music Awards, 2019, Nominee - Best Collection
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