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Debussy: L'Enfant Prodigue & Ravel: L'Enfant et les sortilèges

Roberto Alagna (Azaël), Karina Gauvin (Lia), Jean-François Lapointe (Siméon), Chloé Briot (L’Enfant), Nathalie Stutzmann (Maman/Tasse chinois/Libellule), Sabine Devieilhe (Le Feu/Rossignol))

Chœur et Orchestre de Radio France, Mikko Franck

Debussy: L'Enfant Prodigue & Ravel: L'Enfant et les sortilèges

Awards:

Briot is well contrasted with the excellent Nathalie Stutzmann as Maman and two other characters, while Sabine Devielhe as The Fire and François Piolino as Mr Arithmetic are first class. In...

Debussy: L'Enfant Prodigue & Ravel: L'Enfant et les sortilèges

Roberto Alagna (Azaël), Karina Gauvin (Lia), Jean-François Lapointe (Siméon), Chloé Briot (L’Enfant), Nathalie Stutzmann (Maman/Tasse chinois/Libellule), Sabine Devieilhe (Le Feu/Rossignol))

Chœur et Orchestre de Radio France, Mikko Franck

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This release includes a digital booklet

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Awards:

Briot is well contrasted with the excellent Nathalie Stutzmann as Maman and two other characters, while Sabine Devielhe as The Fire and François Piolino as Mr Arithmetic are first class. In...

About

Recorded live in Paris, two contrasting music dramas on the theme of an errant child, written by two supreme French composers and performed by a starry line-up of francophone singers. Mikko Franck, in his role as Music Director of the Orchestre Philharmonique de Radio France, conducts Debussy’s L’Enfant prodigue, starring Roberto Alagna and Karina Gauvin, and Ravel’s L'Enfant et les sortilèges, with Nathalie Stutzmann and Sabine Devieilhe among the singers surrounding Chloé Briot in the role of the Child.

Complementing the two vocal works is the world premiere recording, made under studio conditions, of British composer Colin Matthews’ orchestration of Debussy’s Symphony in B minor. The work, which survives only as a manuscript for piano duet, was composed even earlier than L’Enfant prodigue, when Debussy was just 18, but it was not published until 1933, 15 years after his death. This orchestration of the Symphony in B minor was first heard in 2009. Colin Matthews is something of a Debussy specialist, having made admired orchestral transcriptions of all the composer’s piano Préludes, some of which have been recorded by Sir Simon Rattle and the Berliner Philharmoniker.

Contents and tracklist

"J'ai pas envie de faire ma page" (L'enfant)
Track length2:29
"Bébé a été sage? " (Maman)
Track length1:18
"Ça m'est égal!" (L'enfant)
Track length1:08
"Votre serviteur humble, Bergère" (La bergère, Le fauteuil, Choeur)
Track length1:36
"Ding, ding, ding, ding" (L'horloge comtoise, L'enfant)
Track length1:24
"How's your mug?" (La théière, La tasse chinoise)
Track length0:56
"Keng-ça-fou, mah-jong" (La théière, La tasse chinoise)
Track length1:45
"Oh! Ma belle tasse chinoise!" (L'enfant)
Track length0:44
"Arrière ! Je réchauffe les bons" (Le feu)
Track length2:30
"Adieu, Pastourelles!" (Choeur)
Track length2:54
"Ah! C'est elle! C'est elle!" (L'enfant, La princesse)
Track length4:59
"Toi, le coeur de la rose" (L'enfant)
Track length1:22
"Deux robinets coulent dans un réservoir!" (Le petit vieillard, L'enfant, Choeur)
Track length1:46
"Oh! Ma tête!" (L'enfant)
Track length1:09
"Duo miaulé" (Les chats)
Track length1:21
"Musique d'insectes, de rainettes" (Choeur)
Track length1:31
"Ah! Quelle joie de te retrouver, Jardin!" (L'enfant, L'arbre)
Track length1:34
"Où es-tu, je te cherche..." (La libellule, L'enfant)
Track length1:44
"Ronde des chauves-souris... Rends-la moi...tsk, tsk..." (La chauve-souris, L'enfant)
Track length0:36
Danse des rainettes
Track length2:03
"Sauve-toi, sotte! Et la cage? La cage?" (L'écureuil, La rainette)
Track length0:51
"La cage, c'était pour mieux voir ta prestesse" (L'enfant)
Track length1:48
"Ah ! C'est l'enfant au couteau!" (Choeur)
Track length0:43
"Il a pansé la plaie..." (Choeur)
Track length2:16
"Il est bon, l'enfant, il est sage" (Choeur, L'enfant)
Track length2:37
Prélude
Track length2:32
"L'année, en vain chasse l'année" (Lia)
Track length4:25
"Eh bien, encore des pleurs !" (Siméon)
Track length1:03
Cortège et air de danse
Track length4:18
"Ces airs joyeux, ces chants de fête" (Azaël)
Track length5:25
"Je m'enfuis..." (Lia)
Track length2:36
"Rouvre les yeux à la lumière" (Lia, Azaël)
Track length5:02
"Mon fils est revenu!" (Siméon)
Track length3:39
"Mon coeur renaît à l'espérance" (Lia, Azaël, Siméon)
Track length4:49

Spotlight on this release

Awards and reviews

August 2017

Briot is well contrasted with the excellent Nathalie Stutzmann as Maman and two other characters, while Sabine Devielhe as The Fire and François Piolino as Mr Arithmetic are first class. In the orchestra, every note is in place – no small achievement in this fiendishly difficult piece.

June 2017

The casting [in the Ravel] is very strong, with bags of character, from Nathalie Stutzmann’s molasses contralto as Maman…to François Piolino’s demented Arithmétique and feisty teapot…Chloé Briot kicks up a storm as the Child…Franck’s cast is even more luxurious than for the Ravel. Karina Gauvin, as Lia the mother, reins in her powerful soprano for a moving opening air, while Roberto Alagna’s open-hearted, sunny tenor and excellent diction make for the best Azaël now on disc

18th May 2017

[L’Enfant Prodigue] is vivid enough, but inevitably it’s L’Enfant et les Sortilèges that makes the bigger impression. In this jewel-like work in which not a note is wasted, it’s a huge advantage to have an entirely Francophone cast, and every word certainly matters here.
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