Sonata Op.81 is aimed at the adventurous bassist and was composed for David Heyes, who recorded it for Prima Facie Records in 2021. The musical style demonstrates a composer with a love of colour and texture, primarily using the lower register of the double bass, contrasting an independent piano accompaniment which adds drive and drama. The first movement (Allegro moderato) is confident and energetic, deftly moving from key to key with the two soloists constantly moving forward until the closing bars which bring the movement to a simple and effective conclusion. The second movement (Andante) is the heart of the work with a beautiful cantilena for the double bass, playing in its middle register, supported by a gently undulating and chordal accompaniment. The textures are rich and luxurious emphasising the sonorous and cantabile qualities of the double bass. A rhythmic and vibrant Vivace brings the work to a strong and successful conclusion. The introduction of pizzicato adds a new colour alongside jaunty themes and rhythms which add fun and character to a work of great distinction and quality. Ruth Gipps’ Sonata for double bass and piano is a substantial work which gives the double bass equal billing with the piano. Available in Solo or Orchestral tuning
