Contents

• Preface 2
• Part I. Twenty-Four Détaché Warm-Ups
• 1. For Single Tonguing 3
• 2. For Single Tonguing 6
• 3. For Single and Double Tonguing 10
• 4. For Single Tonguing 14
• 5. For Single Tonguing 17
• 6. For Double Tonguing 21
• 7. For Single and Double Tonguing 25
• 8. For Single and Double Tonguing 29
• 9. For Double Tonguing 33
• 10. For Single and Double Tonguing 37
• 11. For Double Tonguing 41
• 12. For Double Tonguing 45
• 13. For Double Tonguing/“Bariolage” 49
• 14. For Double Tonguing/Tremolando 53
• 15. For Double Tonguing/“Toccata” 57
• 16. For Double Tonguing 61
• 17. For Double Tonguing 63
• 18. For Double Tonguing 67
• 19. For Double Tonguing/Tremolando 70
• 20. For Double Tonguing/Tremolando 72
• 21. For Double Tonguing/Tremolando 76
• 22. For Triple Tonguing 82
• 23. For Triple Tonguing/Tremolando 86
• 24. For Triple Tonguing/Tremolando 90
• Part II. Fifteen Legato Warm-Ups
• 1. “Reaching Out” (To Open the Tone
• Bottom to Top) 97
• 2. “Cécile” A (Legato Warm-up for the Middle Register) 99
• 2. “Cécile” B (Legato Warm-up for the Middle Register) 102
• 3. “Sunrise” (For the Middle Register) 105
• 4. “Norwegian Warm-Up” (To Open the Upper Register) 107
• 5. “Leipzig” (For the Middle Register) 109
• 6. “Hymn to Nature” (For the Middle Register) 112
• 7. “Going Deeper”
• (To Open the Middle and Lower Registers) 116
• 8. “Giant Steps” (For Wide Intervals
• Sostenuto) 118
• 9. “Aubade” (For the Middle Register
• Sostenuto) 121
• 10. “Stretching” (For Wide Intervals
• Sostenuto) 123
• 11. “Posthorn” (For Tone and Expression) 126
• 12. “Good Connections”
• (For Wide Intervals/Piano
• Legato Sostenuto) 128
• 13. “Berceuse”
• (For Control and Flexibility in the Upper Register) 138
• 14. “Making Seamless Connections”
• (For Control in the Upper Register/Piano
• Sostenuto) 141
• 15. “Rêverie” (For the Upper Register/Piano
• Sostenuto) 143 -