This tone poem, suggested by the 4th Century struggle of the Visigoths within the Roman Empire, contrasts the slow opening four-note motive in the low brass, with quicker more rhythmic material depicting the battles of the tribe with the Roman legions. From these elements, Sean O'Loughlin has crafted an exciting and sonorous piece that will show off the capabilities of a developing young band to great effect. A large percussion section is used with great skill to energize this serious concert work.