Harry Bettoney_Carl Baermann: Complete Method 5 Op.64

Contents

• Allegro vivo
• Allegro con moto from Concert Militaire
• Op.6
• Allegro vivo from Concerto Militaire
• Op.6
• Theme and Variations from Fantasia: A Dream
• Op.47
• Allegro molto vivace from Fantasia: A Dream
• Op.47
• Allegro moderato from Concert in B-flat minor
• Op.10
• Allegro moderato from Concert in B-flat minor
• Op.10
• Allegro vivace from Concert in B-flat minor
• Op.10
• Cadenza
• Theme and Variations from Fantasie
• Op.15
• Allegro vivace from Fantasie
• Op.15
• Allegro vivace from Introduction & Rondo
• Op.36
• Allegro vivo from Introduction & Rondo
• Op.36
• Allegro vivo and Allegro vivace grazioso from Fantasie Orientale
• Op.22
• Allegro furioso from Fantasie Orientale
• Op.22
• Allegro con moto from Concert-Piece
• Op.49
• Cadenza and Allegro vivo from Concert-Piece
• Op.49
• Theme and Variations from Divertimento
• Op.57
• Allegro Presto from Divertimento
• Op.57
• Allegro from Concert in E-flat
• Op.62
• Allegro and Piu Vivo from Concert in E-flat
• Op.26
• Allegro moderato from Elegy
• Op.55
• Allegro con moto from Elegy
• Op.55
• Allegro from Concert in D minor
• Op.44
• Excerpt from Concert in D minor
• Op.44
• Allegro from Concert in E-flat Major
• Op.60
• Adagio from Concert in E-flat Major
• Op.60
• Meno Allegro from Concert in E-flat Major
• Op.60
• Allegro from Concert Piece in E-flat minor
• Op.18
• Allegro con spirito e fuoco from Concert Piece in E-flat minor
• Op.18
• Allegro con moto from Concert in B-flat Major
• Op.48
• Molto vivace and Poco meno mosso from Concert in B-flat Major
• Op.48
• Solo from Romeo and Juliet by Bellini from Souvenir de Bellini
• Op.53
• Theme and Variations from Souvenir de Bellini
• Op.54
• Allegro molto moderato and Piu mosso from The Hour of Ghosts
• Op.29
• Andante con moto from The Hour of Ghosts
• Op.29
• Allegro vivace from The Hour of Ghosts
• Op.29