Vining: Ear Training for Trombone

Contents

• Foreword by John Marcellus
• Introduction
• About David Vining
• I. Preliminary Studies
• I. 1. Basic Pitch Matching (1)
• I. 2. Basic Pitch Matching (2)
• I. 3. Basic Pitch Matching with No Rest Before Singing
• I. 4. Basic Pitch Matching: Scale-wise
• I. 5. Two Familiar Songs
• I. 6. Ode to Joy from Symphony No. 9
• II. Intermediate Studies
• II. 7. Scale-wise C Major
• II. 8. Scale-wise Major/Minor
• II. Scale-wise Ab Major
• II. 10. Amazing Grace
• II. 11. Scale-wise Ab Major
• II. 12. Scale-wise C Major and A Minor
• II. 13. Scale-wise Eb Major: Singing Every Other Note
• II. 14. Scale-wise A Major
• II. 15. Danny Boy
• II. 16. Scale-wise Major/Minor: Singing Every Other Note
• II. 17. Scales and Arpeggios
• II. 18. E-Minor Chant
• II. 19. D-Dorian Chant
• II. 20. O Come
• O Come Emmanuel
• III. Advanced Studies
• III. 21. Eb Major Arpeggio
• III. 22. Major/Minor Scales
• III. 23. Sonata in F (Movement I)
• III. 25. Scales/Arpeggios/Thirds: D Major/B Minor
• III. 26. Etude in F Major
• III. 27. Natural Slurs
• III. 28. 'Tis the Gift to be Simple
• III. 29. Circle of Fourths
• III. 30. Interval Study
• III. 31. F Major Intervals
• III. 32. Diminished Triads
• III. 33. Octatonic Scale
• III. 34. Whole Tone Scale
• IV. Intervals
• IV. 35. Scale-wise Widening Intervals
• IV. 36. Chromatic Widening Intervals
• IV. 37. Chromatic Intervals
• IV. 38. Thirds (1)
• IV. 39. Thirds (2)
• IV. 40. Fourths
• IV. 41. Fifths
• IV. 42. Ascending Sixths
• IV. 43. Descending Sixths
• IV. 44. Ascending Sevenths
• IV. 45. Descending Sevenths
• IV. 46. Tritones
• IV. 47. Wide Intervals
• IV. 48. Random Intervals
• V. Arpeggios
• V. 49. Major Arpeggios (1)
• V. 50. Major Arpeggios (2)
• V. 51. Minor Arpeggios
• V. 52. Major and Minor Arpeggios (1)
• V. 53. Major and Minor Arpeggios (2)
• V. 54. I-IV-V7
• V. 55. I-IV-ii-V7
• V. 56. I-IV-V Inverted
• V. 57. ii-V-I Jazz Style
• V. 58. Diminished Arpeggios
• V. 59. Augmented Argpeggios
• V. 60. Dominant-Seventh Arpeggios
• V. 61. Seventh Arpeggios
• V. 62. Mixed Arpeggios
• VI. Melodious Etudes: Bordogni
• VI. 63. No. 2
• VI. 64. No. 5
• VI. 65. No. 6
• VI. 66. No. 12
• VI. 67. No. 15
• VII. Orchestral Excerpts
• VII. 68. Tuba Mirum from Requiem
• K. 626
• VII. 69. Adagio from Symphony No. 3 (Organ)
• VII. 70. Hungarian March from Le Damnation de Faust
• Op. 24