Contents
- About the Author
- Objecitve and Dedication
- Acknowledgements
- Foreword
- Chapter 1: An Overview of Traditional Jazz Theory
- Chapter 2: Generic Voicings (and the Rule of Thumb)
- Chapter 3: Generic Voicing Workout
- Chapter 4: Miracle Voicings
- Chapter 5: Workout with Generic and Miracle Voicings
- Chapter 6: Voicing Suspended and Altered Dominant Chords as Polychord Fractions
- Chapter 7: Application of Polychord Fractions in the ii7-V7-I Progression
- Chapter 8: Voicings for the Blues and Other Common Progressions
- Chapter 9: Voicings for Diminished and Half Diminished Chords
- Chapter 10: Tritone Substitutions and Half Step Preparation
- Chapter 11: The Melodic Soprano Voice (Melodic Comping)
- Chapter 12: Sample Progression for Further Study
- Chapter 13: Glossary
- Chapter 14: Suggested Listening
- Chapter 15: A Semester's Syllabus for a Jazz Keyboard Lab
- Endorsements