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Telemann: Fantaisies (12) pour la Basse de Violle

Thomas Fritszch (viola da gamba)

Telemann: Fantaisies (12) pour la Basse de Violle

Awards:

Musically, these were worth the wait. Telemann presents a cornucopia of broken chords, unison and contrapuntal writing, passagework and even some plucking; there’s also a nod to the fashion...

Telemann: Fantaisies (12) pour la Basse de Violle

Thomas Fritszch (viola da gamba)

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Awards:

Musically, these were worth the wait. Telemann presents a cornucopia of broken chords, unison and contrapuntal writing, passagework and even some plucking; there’s also a nod to the fashion...

About

Contents and tracklist

26: I. Adagio - Allegro - Adagio - Allegro
Track length3:35
26: II. Allegro
Track length2:21
27: I. Vivace - Andante - Vivace
Track length7:28
27: II. Presto
Track length1:36
28: I. Largo
Track length2:25
28: II. Presto
Track length2:02
28: III. Vivace
Track length1:31
29: I. Vivace
Track length4:46
29: II. Grace
Track length0:30
29: III. Allegro
Track length1:31
30: I. Allegro
Track length2:54
30: II. Largo
Track length0:50
30: III. Allegro
Track length1:28
31: I. Scherzando
Track length3:00
31: II. Dolce
Track length3:01
31: III. Spirituoso
Track length1:18
32: I. Andante
Track length4:28
32: II. Vivace
Track length1:41
32: III. Allegro
Track length1:47
33: I. Allegro
Track length2:02
33: II. Grave
Track length2:08
33: III. Vivace
Track length2:15
34: I. Presto
Track length2:54
34: II. Grave
Track length3:12
34: III. Allegro
Track length1:51
35: I. Dolce - Allegro - Dolce - Allegro
Track length2:29
35: II. Siciliana
Track length2:42
35: III. Scherzando
Track length1:46
36: I. Allegro
Track length2:23
36: II. Grave
Track length1:37
36: III. Allegro
Track length2:17
37: I. Andante
Track length3:55
37: II. Allegro
Track length2:20
37: III. Vivace
Track length2:25

Awards and reviews

  • ECHO Klassik Awards
    2017
    Winner

June 2016

Musically, these were worth the wait. Telemann presents a cornucopia of broken chords, unison and contrapuntal writing, passagework and even some plucking; there’s also a nod to the fashion tussle of the time between the fugal and the galant style…the notes themselves really dance into life under Fritzsch’s natural, joy-filled playing
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