Terje Rypdal / What Comes After Terje Rypdal: guitars, flute; Barre Phillips: double bass, piccolo bass; Jon Christensen: drums, percussion, organ; Erik Niord Larsen: oboe, English horn; Sveinung Hovensjo: bass guitar (1973) What Comes After introduced a new alliance with American bassist Barre Phillips whose freely creative arco playing is often the second lead voice (two of the compositions are also Barres). The unorthodox line-up includes contributions from powerhouse bass guitarist Sveinung Hovensjo, an important collaborator throughout the 70s (in the Odyssey band and other ensembles), and from classical oboist Erik Niord Larsen. Rypdal, Phillips and Christensen periodically played completely improvised concerts in 1973, and free musics sense of anything-can-happen also influences What Comes After. In this spirit, Jon Christensens instrumental responsibilities extend, uncharacteristically, to playing organ on Sejours, a piece which also features Terje on flute. The concluding Back of J, is developed as an elegant rubato ballad featuring Phillipss bass, Rypdals acoustic guitar, and Christensens cymbals. From moment to moment, the soundscape changes on What Comes After, making it an album that invites repeated investigation to unlock its mysteries.
