When Will The Blues Leave
Paul Bley (piano), Gary Peacock (double bass), Paul Motian (drums)
Throughout this album, the musicians put forth halting, mysterious music, toying with form and composing on the fly. Bley died in 2016 and Motian five years before that, this album now functioning...
When Will The Blues Leave
Paul Bley (piano), Gary Peacock (double bass), Paul Motian (drums)
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Throughout this album, the musicians put forth halting, mysterious music, toying with form and composing on the fly. Bley died in 2016 and Motian five years before that, this album now functioning...
About
When Will The Blues Leave, a previously unreleased recording rescued from the archives, bears testimony to the special musical understanding shared by three great improvisers. Long acknowledged by creative
musicians as one of the influential groups of the ‘free’ era, Paul Bley’s pioneering trio with Gary Peacock and Paul Motian has been under-represented on record.
In 1999, a year after recording the splendid reunion album Not Two, Not One, Paul Bley’s highly innovative trio with Gary Peacock and Paul Motian took to the road with concerts on both sides of the Atlantic. When Will The Blues Leave documents a terrific performance at the Aula Magna, Trevano in Switzerland. Included here, alongside the angular freebop Ornette Coleman title track, are Paul Bley’s “Mazatlan”, brimming over with energy, Gary Peacock’s evergreen “Moor”, Gershwin’s tender “I Loves You Porgy” and much more... All played with the subtlety of master improvisers, recasting the music in every moment. Paul Bley’s last recording for ECM was the live solo album Play Blue, recorded at the Oslo Jazz Festival in 2008. Paul Motian’s final recording as a leader for the label was Lost In A Dream, recorded 2009, with Chris Potter and Jason Moran.
Motian died in 2011, Bley in 2016.
Contents and tracklist
- Gary Peacock (double bass), Paul Bley (piano), Paul Motian (drums)
- Recorded: 1999-03-18
- Recording Venue: Aula Magna STS, Lugano-Trevano
- Gary Peacock (double bass), Paul Bley (piano), Paul Motian (drums)
- Recorded: 1999-03-18
- Recording Venue: Aula Magna STS, Lugano-Trevano
- Gary Peacock (double bass), Paul Bley (piano), Paul Motian (drums)
- Recorded: 1999-03-18
- Recording Venue: Aula Magna STS, Lugano-Trevano
- Gary Peacock (double bass), Paul Bley (piano), Paul Motian (drums)
- Recorded: 1999-03-18
- Recording Venue: Aula Magna STS, Lugano-Trevano
- Gary Peacock (double bass), Paul Bley (piano), Paul Motian (drums)
- Recorded: 1999-03-18
- Recording Venue: Aula Magna STS, Lugano-Trevano
- Gary Peacock (double bass), Paul Bley (piano), Paul Motian (drums)
- Recorded: 1999-03-18
- Recording Venue: Aula Magna STS, Lugano-Trevano
- Gary Peacock (double bass), Paul Bley (piano), Paul Motian (drums)
- Recorded: 1999-03-18
- Recording Venue: Aula Magna STS, Lugano-Trevano
- Gary Peacock (double bass), Paul Bley (piano), Paul Motian (drums)
- Recorded: 1999-03-18
- Recording Venue: Aula Magna STS, Lugano-Trevano
Awards and reviews
September 2019
Throughout this album, the musicians put forth halting, mysterious music, toying with form and composing on the fly. Bley died in 2016 and Motian five years before that, this album now functioning as a potent reminder of what made them so important.