Come What May

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There is an all round confidence in Redman’s playing, writing and improvising, which has a pleasing dynamic range as well as bubbling energy.... this is small group music that draws from a deep... — Jazzwise, June 2019, 3 out of 5 stars More…

Release Date: 29th Mar 2019
Catalogue No: 7559792673
Label: Nonesuch
Length: 43 minutes

Grammy Awards

62nd Awards (2019)

Nominee: Best Jazz Instrumental Album

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Circle of Life

Work length6:54

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Joshua Redman Quartet, Joshua Redman (tenor saxophone), Reuben Rogers (bass), Aaron Goldberg (piano), Gregory Hutchinson (drums)

I'll Go Mine

Work length7:14

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Joshua Redman Quartet, Joshua Redman (tenor saxophone), Reuben Rogers (bass), Aaron Goldberg (piano), Gregory Hutchinson (drums)

Come What May

Work length6:46

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Joshua Redman Quartet, Joshua Redman (tenor saxophone), Reuben Rogers (bass), Aaron Goldberg (piano), Gregory Hutchinson (drums)

How We Do

Work length3:33

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Joshua Redman Quartet, Joshua Redman (tenor saxophone), Reuben Rogers (bass), Aaron Goldberg (piano), Gregory Hutchinson (drums)

DGAF

Work length4:48

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Joshua Redman Quartet, Joshua Redman (tenor saxophone), Reuben Rogers (bass), Aaron Goldberg (piano), Gregory Hutchinson (drums)

Stagger Bear

Work length6:04

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Joshua Redman Quartet, Joshua Redman (tenor saxophone), Reuben Rogers (bass), Aaron Goldberg (piano), Gregory Hutchinson (drums)

Vast

Work length7:48

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Joshua Redman Quartet, Joshua Redman (tenor saxophone), Reuben Rogers (bass), Aaron Goldberg (piano), Gregory Hutchinson (drums)

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Nonesuch Records released the Joshua Redman Quartet’s Come What May on March 29, 2019. This is the first recording in almost two decades for this group of musicians: the recently Grammy–nominated saxophonist and his longtime friends and colleagues pianist Aaron Goldberg, bassist Reuben Rogers, and drummer Gregory Hutchinson. Previous releases were Beyond (2000) and Passage of Time (2001). The Quartet, which has toured internationally over the last several years, recorded seven Redman tunes for Come What May. CD and vinyl orders include an exclusive print autographed by the group for a limited time.

The Guardian has called Redman “one of the 21st century’s finest jazz improvisers,” and the Boston Globe said of the group’s recent Newport Jazz Festival performance, “There was tenor Joshua Redman with his quartet, showing how to build excitement and get the crowd screaming without pressing or compromising his art.”

Redman recently said of Goldberg, Rogers, and Hutchinson, in Denver’s Westword newspaper, “They’re some of my favorite musicians in the world. We’ve played so much over the years and have been together on the road so much, on and off the bandstand, there’s just that sort of camaraderie and friendship and genuine love for and understanding of each other that, for me, [is] the ideal situation for making music. When you have that level of trust and empathy, both musically and personally, it allows you to be truly relaxed and free; and those are really good pre-conditions for magic to potentially happen.

Joshua Redman’s first album on Nonesuch was the Grammy-nominated Momentum (2005). His other releases on the label include Back East, Compass, and Trios Live, all of which explore the trio format; MoodSwing (1994, re-issued); Walking Shadows (2013), his first recording to include an orchestral ensemble; The Bad Plus Joshua Redman (2015), a collaboration with the acclaimed trio; Nearness (2016), a duo album with longtime friend and collaborator Brad Mehldau; and the 2018 Grammy–nominated Still Dreaming—an album inspired by his father Dewey Redman’s 1976–1987 band, Old and New Dreams.

Redman currently tours with his trio with Rogers and Hutchinson; his quartet; Still Dreaming, with Ron Miles, Scott Colley and Brian Blade; and occasionally with the collaborative group James Farm, with Aaron Parks, Matt Penman, and Eric Harland. James Farm has two releases on Nonesuch: their 2011 self-titled album and 2014’s City Folk.

Reviews

June 2019

There is an all round confidence in Redman’s playing, writing and improvising, which has a pleasing dynamic range as well as bubbling energy.... this is small group music that draws from a deep well of modern jazz in which the rhythm section has to be agile and responsive...

Come What May

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