Two of a Mind
Paul Desmond (alto saxophone), Gerry Mulligan (baritone saxophone)
Awards:
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Presto Music, Classic Jazz Recording
Desmond’s Two of a Mind is instantly recognisable as coming from the composer of Take Five – there’s something seductively feline about his themes – beautiful but oddly subjective and somewhat...
Two of a Mind
Paul Desmond (alto saxophone), Gerry Mulligan (baritone saxophone)
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Awards:
-
Presto Music, Classic Jazz Recording
Desmond’s Two of a Mind is instantly recognisable as coming from the composer of Take Five – there’s something seductively feline about his themes – beautiful but oddly subjective and somewhat...
About
Contents and tracklist
- Paul Desmond (alto saxophone), Gerry Mulligan (baritone saxophone), Connie Kay (drums), Wendell Marshall (bass)
- Paul Desmond (alto saxophone), Wendell Marshall (bass), Connie Kay (drums), Gerry Mulligan (baritone saxophone)
- Gerry Mulligan (baritone saxophone), Paul Desmond (alto saxophone), Mel Lewis (drums)
- Gerry Mulligan (baritone saxophone), Paul Desmond (alto saxophone), John Beal (bass)
- Gerry Mulligan (baritone saxophone), Paul Desmond (alto saxophone), Connie Kay (drums), John Beal (bass)
- Gerry Mulligan (baritone saxophone), Paul Desmond (alto saxophone), Mel Lewis (drums), Joe Benjamin (bass)
- Gerry Mulligan (baritone saxophone), Paul Desmond (alto saxophone), Connie Kay (drums), John Beal (bass)
- Gerry Mulligan (baritone saxophone), Paul Desmond (alto saxophone), Connie Kay (drums), Wendell Marshall (bass)
- Gerry Mulligan (baritone saxophone), Paul Desmond (alto saxophone), Joe Benjamin (bass), Mel Lewis (drums)
Spotlight on this release
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Desmond & Mulligan - Two of a Mind
28th Mar 2019
Matt winds down to urbane warriors Paul Desmond and Gerry Mulligan's Two of a Mind.
Awards and reviews
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Presto MusicClassic Jazz Recording
Desmond’s Two of a Mind is instantly recognisable as coming from the composer of Take Five – there’s something seductively feline about his themes – beautiful but oddly subjective and somewhat arch. The contrast between Desmond’s light alto and Mulligan’s more robust kneading of the theme being is one of the record’s many highlights.
