Mozart: Wind Concertos
Emmanuel Pahud (flute), Marie-Pierre Langlamet (harp) & Sabine Meyer (clarinet)
Berlin Philharmonic Orchestra, Claudio Abbado
[Meyer] opts for faster speeds than usual, but finds time to point phrasing and shade dynamics with keen imagination and a feeling of spontaneity...The two concertos with Pahud reveal him as...
Mozart: Wind Concertos
Emmanuel Pahud (flute), Marie-Pierre Langlamet (harp) & Sabine Meyer (clarinet)
Berlin Philharmonic Orchestra, Claudio Abbado
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[Meyer] opts for faster speeds than usual, but finds time to point phrasing and shade dynamics with keen imagination and a feeling of spontaneity...The two concertos with Pahud reveal him as...
About
Contents and tracklist
- Emmanuel Pahud (flute)
- Berliner Philharmoniker
- Claudio Abbado
- Recorded: 1996-09-30
- Recording Venue: 22/24/28/29/Sept 1996/Philharmonie Berlin
- Emmanuel Pahud (flute), Marie-Pierre Langlamet (harp)
- Berliner Philharmoniker
- Claudio Abbado
- Recorded: 1996-09-30
- Recording Venue: 22/24/28/29/Sept 1996/Philharmonie Berlin
- Emmanuel Pahud (flute), Marie-Pierre Langlamet (harp)
- Berliner Philharmoniker
- Claudio Abbado
- Recorded: 1996-09-30
- Recording Venue: 22/24/28/29/Sept 1996/Philharmonie Berlin
- Emmanuel Pahud (flute), Marie-Pierre Langlamet (harp)
- Berliner Philharmoniker
- Claudio Abbado
- Recorded: 1996-09-30
- Recording Venue: 22/24/28/29/Sept 1996/Philharmonie Berlin
Mozart:
Clarinet Concerto in A K622: I. Allegro
Work length11:55
This work is only available as an album download.
- Sabine Meyer (clarinet)
- Berliner Philharmoniker
- Claudio Abbado
- Recorded: 1998-12-06
- Recording Venue: 4-6 December 1998 / Philharmonie, Berlin
- Sabine Meyer (clarinet)
- Berliner Philharmoniker
- Claudio Abbado
- Recorded: 1998-12-06
- Recording Venue: 4-6 December 1998 / Philharmonie, Berlin
- Sabine Meyer (clarinet)
- Berliner Philharmoniker
- Claudio Abbado
- Recorded: 1998-12-06
- Recording Venue: 4-6 December 1998 / Philharmonie, Berlin
Awards and reviews
2010 edition
[Meyer] opts for faster speeds than usual, but finds time to point phrasing and shade dynamics with keen imagination and a feeling of spontaneity...The two concertos with Pahud reveal him as an outstanding individual artist, light and athletic
