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J S Bach - Complete Cantatas Volume 10
Caroline Stam (Soprano), Michael Chance (Alto), Paul Agnew (Tenor) & Klaus Mertens (Bass)
Amsterdam Baroque Orchestra & Choir, Ton Koopman
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Cantatas for Trinity
Johannette Zomer (soprano), Ingeborg Danz (alto), jan Kobow (tenor), Peter Kooy (bass)
Collegium Vocale Gent, Philippe Herreweghe
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Bach: Cantatas for Trinity
Jan Kobow, Ingeborg Danz (contralto), Johannette Zomer (soprano), Collegium Vocale Gent, Philippe Herreweghe
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Bach - Cantatas Vol. 1
Arleen Augér, Aldo Baldin, Lutz-Michael Harder, Walter Heldwein, Philippe Huttenlocher, Adalbert Kraus, Inga Nielsen, Gabriele Schreckenbach, Helen Watts
Bach-Collegium Stuttgart, Gächinger Kantorei, Helmuth Rilling
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Kuijken and his close-knit single-voice forces inhabit the emotional core of this work [BVW2]… the soloists bring a grainy honesty, an unselfconscious eloquence and luminosity to the heart of... —
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Bach: Complete Edition, Vol. 4/10
Marjon Strijk (soprano), Knut Schoch (tenor), Bas Ramselaar (bass), Sytse Buwalda (alto), Ruth Holton (soprano), Nico van der Meel (tenor), Marcel Beekman (tenor), Robert Getchell (tenor), Bas Ramselaar (bass-baritone)
Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink
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Bach: Sacred Cantatas BWV Nos 1 - 3
Paul Esswood (countertenor), Kurt Equiluz (tenor), Max van Egmond (bass)
Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt
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Bach: Sacred Cantatas, BWV 1 - 9
Kurt Equiluz (tenor), Josef Luftensteiner (countertenor), Max van Egmond (bass), Paul Esswood (countertenor), Friedrich Pfeiffer (countertenor), Soloist of the Wiener Sängerknaben (soprano), Franz Joseph Kiefer (soprano), Soloist of the Regensburg Cathedral Choir (soprano), Chorus Viennensis, Wiener...
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Special offer. Bach Cantatas Volume 2
Cantatas for the Second Sunday after Trinity & Cantatas for the Third Sunday after Trinity
Lisa Larsson (soprano), Daniel Taylor (countertenor), James Gilchrist (tenor), Stephen Varcoe (bass)
The Monteverdi Choir & The English Baroque Soloists, John Eliot Gardiner
...this vividly scored piece of theatre [BWV21] places both voices and a colourful instrumental group in urgent dialogue. We are drawn into this right from the opening Sinfonia...Among competing... —