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Liszt: The Complete Songs Volume 5 - Allan Clayton
RecommendedAllan Clayton (tenor), Julius Drake (piano)
The quieter moments of these songs show Allan Clayton’s voice at its best: smooth, tender and altogether alluring…By and large his diction is good…overall the performances are alive to the drama... —
Awards:
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Presto Recordings of the Year, Finalist 2018
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Presto Recording of the Week, 21st December 2018
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This excellent series continues with a selection performed exquisitely by soprano Julia Kleiter. At the programme’s heart are Liszt’s unmissable four settings of Victor Hugo. —
Awards:
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Gramophone Magazine, February 2020, Editor's Choice
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...this is an outstanding release, not only for Dubois’s singing but for the first-rate pianism of Tristan Raës—as you’d expect, Liszt’s piano parts are of solo quality. Full texts and translations... —
Awards:
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Diapason d’Or, October 2019, Nouveauté
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Presto Editor's Choice, October 2019
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Presto Recordings of the Year, Finalist 2019
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International Classical Music Awards, 2019, Nominee - Vocal
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Awards:
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Gramophone Awards, 1987, Winner - Solo Vocal
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Awards:
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Grammy Awards, 35th Awards (1992), Best Classical Solo Vocal Album
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Liszt Abroad
Rebecca Evans (soprano), Andrew Kennedy (tenor), Matthew Rose (baritone) & Iain Burnside (piano)
The 20 songs recorded here cover a vast range of language and expression… Burnside is a faultless guide along this journey, exhibiting power when required but never forcing either tone or pace;... —
Awards:
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BBC Music Magazine Awards, 2010, Vocal Finalist
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Gramophone Magazine, October 2009, Editor's Choice
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Liszt: Lieder
RecommendedDietrich Fischer-Dieskau (baritone), Jörg Demus (piano), Daniel Barenboim (piano)
Awards:
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Gramophone Awards, 1981, Winner - Solo vocal
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To my knowledge, this is the first time that all three Petrarch cycles have been placed side by side on disc, and the differences are instructive...Emotions bite. The text is vividly delivered.... —
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Schwanewilms's interpretations are regularly imaginative, her singing musicianly, though not all of her vocalism matches her good intentions. There's sometimes...an edge to her tone that combines... —
Awards:
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Gramophone Magazine, March 2013, Editor's Choice
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