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Their tone is rich, without persistent vibrato, and with one voice per part they delineate each polyphonic strand through different hues of vowel-sounds and shades of vocal effort. They are... —
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The Orpheus' Lute. Improvisation and Wonder in Humanist Italy
Bor Zuljan (lute, soloist), Mónica Pustilnik
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Alma, svegliate ormai
Devotional Contrafacta in Italian music during the Fifteenth and Sixteenth Centuries
Anonima Frottolisti
Interesting repertoire which sheds light on a less well-known aspect of renaissance music —
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The Triumphs of Maximilian
Songs and instrumental music associated with the German court of Holy Roman Emperor Maximilian the first
John Potter (tenor)
Musica Antiqua of London, Philip Thorby
... I think no praise is too high; they do everything with a pleasingly light touch and always with a real sensitivity to the music —
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The achievement of Les Flamboyants is, among other things, to have produced musically pleasing, compelling and beautiful wholes which seem as effortless and convincing as they in fact represent... —
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Special offer. The Art of the Netherlands
Christopher Hogwood (organ), Early Music Consort of London (vocal & instrumental ensemble), David Munrow
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A Songbook for Isabella
Music from the circle of Isabella d’Este
Clare Wilkinson (mezzo-soprano)
Musica Antiqua of London, Philip Thorby
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Josquin Desprez: Missa 'L'homme armé sexti toni'
Obsidienne Vocal Ensemble, Obsidienne Instrumental Ensemble, Emmanuel Bonnardot
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Fortuna desperata: Gothic and Renaissance Organ Music
Daniel Beilschmidt (organ), Christine Mothes (voice), Veit Heller (bells)