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Gerhaher’s outstanding qualities – a heavenly baritone, crisp diction, intelligent address – once again find an echo in Huber’s pianism. —
Awards:
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Gramophone Magazine, Awards Issue 2014, Editor's Choice
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Gramophone Awards, 2015, Winner - Solo Vocal
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A souvenir-document that all Schubert and Goerne/Brendel fanciers will itch to acquire. —
Awards:
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Gramophone Awards, 2005, Finalist - Vocal
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Gramophone Magazine, July 2005, Disc of the Month
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Schubert - Schwanengesang & Songs After Seidl
RecommendedChristoph Prégardien (tenor) & Andreas Staier (fortepiano)
…an outstanding performance. …deeply engaged robustly expressive singing whose rhythmic rigour and details of phrasing and articulation reveal an exciting commitment to this great cycle. …with... —
Awards:
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Gramophone Magazine, April 2009, Editor's Choice
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Building A Library, February 2019, Also Recommended
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Awards:
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Gramophone Awards, 1990, Winner - Solo Vocal
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Presto Greatest Recordings of the 1980s
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Awards:
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Gramophone Awards, 1990, Winner - Solo vocal
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Audio formats guide -
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…Holl's interpretation really does stand alone in its musical truthfulness and depth of insight. —
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there's plenty of artistry here. For all the conceptual orientation of the disc, Boesch isn't the sort of singer who tells you what to think or feel in this music. He lays it out with hugely... —
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[James Rutherford] has at his disposal a wonderfully healthy and rounded bass-baritone voice…and his German is impeccable…the cycle has a slow-burn cumulative power, and if Rutherford’s tone... —
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Lee’s sharply idiomatic versions are perhaps the highlight of the album, the catchy and highly charged music sounding simply captivating thanks to sizzling performances and brilliant playing... —
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Schubert's Four Seasons
Carolyn Sampson (soprano), Joseph Middleton (piano), Michael Collins (clarinet)
Sampson is much admired as a vocal stylist and the voice remains fresh and direct with a tonal clarity that is often only heard in an untrained artist...Middleton is a sturdy companion as spring... —
