Browse: Josquin - Absalon Fili Mi
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Skinner's scholarly expertise both strengthens and weakens his conducting. Cadences, modal shifts and points of imitation steer his reading. Especially when the English Cornett & Sackbutt Ensemble... — More…
Awards:
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Gramophone Magazine, January 2015, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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Gramophone Awards, 2015, Winner - Early Music
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Secret History - Music by Josquin and Victoria John Potter (vocals), Anna Maria Friman (vocals), Ariel Abramovich (vihuela), Jacob Heringman (vihuela), Lee Santana (vihuela), Hille Perl (viola da gamba)
[Potter’s] approach is varied…In the Gloria of the Mass and elsewhere [he[] artfully switches between parts as he goes along so as to produce an appealing continuous vocal line. The instrumentalists... — More…
Awards:
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Presto Editor's Choice, August 2017
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Despres: Missa L'homme armé, Ave Maria, Absalon Fili Mi
RecommendedOxford Camerata, Jeremy Summerly
Awards:
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Penguin Guide, Rosette
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An entire disc of funeral motets and deplorations might not sound like fun, but Josquin’s music and the timeless poetry of his texts assuage and transcend…[Reuss’s] tempos are never too ponderous,... — More…
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endBeginning: New York Polyphony New York Polyphony: Geoffrey Williams (countertenor), Geoffrey Silver (tenor), Christopher Dylan Herbert (baritone) & Craig Phillips (bass)
With an atmospheric cover of a destroyed chapel interior, this disc of mainly 16th-century vocal music is all about death and decay...Plainsong interleaves the polyphony: the effect is ethereally... — More…
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2016 Texas Music Educators Association (TMEA): Texas Tech University Choir [Live]
Becca Zeisler (piano)
Texas Tech University Choir, Richard Bjella
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Essential Renaissance
Timothy Beasley-Murray (boy soprano), Barry Rose (organ), The Hilliard Ensemble (vocal ensemble, early music ensemble), Kees Boeke (director), Paul Hillier (director), David Munrow (director), John Potter (tenor), John Potter Clay (vocals), Mark Padmore (vocals), David James (vocals), Gordon Jones...
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