Pärt - trivium
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Whether down to the commanding presence of the music itself, Apkalna's powerful interpretations, Ventspils Concert Hall's richly resonant acoustics, the sheer force and weight of the impressive... —
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Arvo Pärt: The Collection
Benjamin Hudson (violin / fiddle, viola), Jürgen Kruse (piano), Sebastian Klinger (cello), Hatfield Leslie (performer), Hirsch Rebeccca (performer), Ulster Orchestra (performer), Yuasa Takuo (performer), Hungarian State Opera (performer), Benedek Tamás (performer), Wendy Roobol (soloist), Tonus Peregrinus...
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Pärt’s music suits both the clean sound of the organ and Nielsen’s cool musical temperament. —
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The Rest is Silence - Music of our Time
Jubilee Edition Winter&Winter: 30 years of music recordings by Stefan Winter
Teodoro Anzellotti (accordion), Uri Caine (composer, piano), Lorenzo Ghielmi (organ), Tamara Stefanovich (piano), Fumio Yasuda (composer
Arditti String Quartet, String Quartet of Kammerorchester Basel, Kammerorchester Basel, WDR Sinfonieorchester Köln, Rundfunk Sinfonieorchester Saarbrücken,...
Winter & Winter is something of a special case when it comes to record labels, with their elaborate packaging and stylish presentation of a remarkable catalogue of fascinating and adventurous... —
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Pärt: Choral and Organ Music
Thomas Leech (organ) & Daniel Justin (organ)
Leeds Cathedral Choir, Benjamin Saunders
What makes this recording special is the full-throated sound of the choir, featuring both boy and girl trebles, captured in the spacious acoustics of Leeds Cathedral itself…I have no doubt that... —
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Twentieth Century Organ Masterpieces
John Scott plays The Mander Organ of St.Ignatius Loyola, New York
John Scott (organ)
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Katt - Organ Works
Recorded At The St Willibrord Basilica In Echternach, Luxembourg, August 2829, 2015
Katerina Chroboková (organ)
A player of considerable ability, her fascination with minimalist patterns is shown well in her own work, Slavkof, contrasting reflective and brilliant writing…her singing in two works based... —
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Quinn’s sturdy and purposeful account [of the Shostakovich], coupled with the organ’s forthright qualities, gives considerable credibility to the piece as a stand-alone organ work…But for me... —
