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Schütz - Weihnachts-Historie, SWV435
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Special offer. Schütz - Weinachtshistorie & Auferstehunghistorie
Jakob Bloch Jespersen (bass), Johan Linderoth (tenor), Adam Riis (tenor) & Else Torp (soprano)
Ars Nova Copenhagen, Concerto Copenhagen & Sirius Viols, Paul Hillier
The performance is first-rate throughout. Natural, tractable voices create characterful images - in the Christmas Story, Else Torp an ethereal angel, Jakob Bloch Jespersen a sneering Herod.... —
Awards:
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Gramophone Awards, 2010, Finalist - Baroque Vocal
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The Yale Schola Cantorum comprises roughly 30 singers and a dozen instrumentalists, but they sound light and bright nonetheless. They make a fine impression in the opening Hodie Christus natus... —
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The choir are in very good form, bright, perfectly tuned...the soloists all good... Michael McCarthy as Herod is magnificent. —
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Heinrich Schütz - The Christmas Story
Claire Lefilliâtre (soprano), Hans-Jörg Mammel (tenor)
Choeur de Chambre de Namur, La Fenice, Jean Tubéry
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The Baroque Christmas Album
Mirella Giardelli (organ), Timothy Roberts (organ)
Monteverdi Choir & English Baroque Soloists, English Concert, Gabrieli Consort & Players, Choeur des Musiciens du Louvre & Les Musiciens du Louvre, Gabrieli Consort & Players & Boys' Choir & Congregational Choir of Roskilde...
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Christmas Magnificats
Romy Gundermann (soprano), Erich Wenk (bass), Kurt Equiluz (tenor), Hildegard Rutgers (alto), Hans-Friedrich Kunz (bass), Gertraut Stoklassa (soprano), Hans Ulrich Mielsch (tenor), Adele Solté (soprano), August Messthaler (bass)
Stuttgart Figuralchor der Gedächtniskirche, Stuttgart Gedächtniskirche...
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Schütz: Weihnachts-Historie, SWV435
Claire Lefilliâtre (soprano) & Hans-Jörg Mammel (tenor)
Choeur de Chambre de Namur & La Fenice, Jean Tubéry
Mammel makes for an outstanding Evangelist in Weichnachtstorie, telling the story vividly and ornamenting discreetly and tastefully; Lefilliâtre’s angelic interjections are lovely … a very good... —
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Schütz - Christmas Oratorio
Heinrich-Schütz-Ensemble München & Monteverdi-Orchester München (on period instruments), Wolfgang Kelber
An agreeably intimate account of Schütz's half-hour telling of the Christmas story paired here with three of his 'spiritual concertos' for solo voices and choir, with instrumental accompaniment.... —
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