Purcell - Chacony in G minor - for Two Violins, Viola and Bass Z730
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Andreas Scholl: Purcell - O Solitude
RecommendedAndreas Scholl (countertenor), with Christophe Dumaux (countertenor)
Accademia Bizantina, Stefano Montanari
Ethereal yet visceral, Scholl's voice is the dream vehicle for Purcell...Stefano Montanari coaxes thrilling playing from Accademia Bizantina, who dance and swagger, throb and pulsate with true... — More…
Awards:
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BBC Music Magazine Awards, 2012, Vocal Award Winner
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Their playing is clean, polished, razor sharp, yet there’s nothing sterile about these performances, which bristle with energy, dynamic contrasts and dramatic gestures… Above all, there’s a... — More…
Awards:
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Diapason d’Or, March 2020, Découverte
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Ayres for the Theatre
Crispian Steele-Perkins (trumpet), Pavlo Beznosiuk (violin), Theresa Caudle (violin, viola), Judy Tarling (viola), Mark Caudle (bass violin), Paula Chateauneuf (theorbo, archlute)
The Parley Of Instruments, Peter Holman
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Christophers is in his element here, and though his string ensemble is half the size of Purcell’s Twenty-Four Violins, he coaxes a robust, full-bodied sound from his players. The detailed recording... — More…
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The readings, as one might expect, are full of insightful nuances, but the outstanding feature is their structural cogency. Where the outer movement of Britten’s Second can sound sectional in... — More…
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Organ Works
by Purcell, Böhm, de Grigny, Blow & Bach
Mario Hospach-Martini (Andreas-Silbermann organ, Ebersmunster Abbey Church)
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Special offer. Purcell: A Collection of Ayres for recorders, etc.
Hugo Reyne, Pierre Hamon, Jean-Pierre Nicolas (recorders), Alain Viau (violin), Jérôme Hantaï, Philippe Pierlot (viola da gamba), Vincent Dumestre theorbo (guitar), Pascal Monteilhet (archlute), Pierre Hantaï harpsichord (organ)
La Simphonie Du Marais
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The English Orpheus - Choral & Instrumental Music by Henry Purcell
Orpheus Britannicus & Chapel Choir of Trinity Hall, Cambridge, Andrew Arthur
Making the most of Purcell’s deeply elegant music requires a particular sensitivity to linear shape, lyrical articulation and clarity of texture, not least in order to draw upon the pungency... — More…
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Spirit of the Baroque
Tasmanian Symphony Chamber Players, Barbara Jane Gilby (soloist), Lucy Carrig (soloist), Geoffrey Lancaster (soloist), Ivan James (soloist), Owen Davies (soloist), Susanna Lazaroff (soloist), Sue-Ellen Paulsen (soloist)
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