Villa-Lobos - Bachianas Brasileiras No. 5: Aria (Cantilena)
Genres:
Vocal » Vocal (Chamber)
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New. Habanera: Music For Eight Cellos and Voice
Ana Beard Fernández (soprano), Roderick Williams (baritone), Iain Hall (recorder), The Endellion Cellists,
William Vann
Ana Beard Fernández shines throughout with her clear, warm but light voice that eloquently weaves over the harmonies and is suitably acrobatic in the second movement ‘Danca’, performed here... — More…
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Villa-Lobos: Bachianas Brasileiras Nos. 1-9
RecommendedRosana Lamosa (soprano), José Feghali (piano)
Nashville Symphony Orchestra, Kenneth Schermerhorn, Andrew Mogrelia
My recommendation for the 'complete orchestral' set remains with Bátiz (López-Cobos an alternative for Nos 2, 4 and 8) but this is nonetheless a fitting tribute to Schermerhorn, who died this... — More…
Awards:
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Building a Library, June 2007, Highly Recommended
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Rio-Paris: The Brazilian Project
Natalie Dessay (soprano), Liat Cohen (guitar), Agnès Jaou & Helena Noguerra (singers)
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Nadine Sierra: There's a Place for Us
Nadine Sierra (soprano)
Royal Philharmonic Orchestra, Robert Spano
Awards:
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Opus Klassik Awards, 2019, Winner - Newcomer (singer)
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Patricia Petibon: Melancolia
Spanish Arias and Songs
Patricia Petibon (soprano), with Susan Manoff, Joël Grare, with Daniel Manzanas
Orquesta nacional de España, Josep Pons
There's a pleasingly rich core to Petibon's voice besides the coloratura heights she's renowned for. She performs with total commitment and without fear and this injects everything she sings... — More…
Awards:
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Gramophone Magazine, January 2012, Editor's Choice
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Her voice has the typical ring and timbre of a Latin singer - she hails originally from Puerto Rico - and she has the spirited delivery that goes with the Latin temperament. …best of all are... — More…
Awards:
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Gramophone Magazine, March 2006, Editor's Choice
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Special offer. Schumann & Dvořák: Cello Concertos
Richard Itter Collection
Jacqueline du Pré (cello), Mstislav Rostropovich (cello), Galina Vishnevskaya (soprano)
BBC Symphony Orchestra, Philharmonia, 7 cellos from the London Symphony Orchestra, Jean Martinon, Carlo Maria Giulini
If not every note is in place, [Du Pré] displays that electrifying rhythmic instinct that characterises her best performances, and long-breathed melodies are sung with utter naturalness…This... — More…
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In his flowing, pellucid interpretations Garcia himself seems to be inspired by Bach’s name, and throughout much of the programme there’s a compelling tension between the rippling enunciation... — More…
Awards:
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Gramophone Magazine, December 2018, Editor's Choice
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