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Hardly a bar goes by that hasn't been painstakingly pondered in relation to the bar that follows...Under [Serebrier's] guidance the music unfolds naturally, unselfconsciously, and in well-balanced... — Gramophone Magazine, December 2014More…
Serebrier performs both works with affection, shaping phrases caressingly and negotiating the many tempos changes with aplomb, and he gets a ready response from the excellent Bournemouth Symphony... — BBC Music Magazine, April 2013, 4 out of 5 starsMore…
Serebrier considers the Symphony 'a masterpiece'; and his admiration for it is clear in this affectionate and lovingly shaped reading with the responsive Bournemouth Symphony Orchestra...with... — BBC Music Magazine, February 2014, 4 out of 5 starsMore…
When it comes to conducting Dvorak, Jose Serebrier isn't afraid to get mud on his boots...he presents a strong, thick-set Dvorak Seventh, managing some skilful transitions en route, in particular... — Gramophone Magazine, May 2012More…
However often the Bournemouth Symphony, like every other orchestra, must have played the 'New World', there's no sense of routine in their response here: in the slow movement especially, their... — Classic FM Magazine, February 2012, 3 out of 5 starsMore…