We use cookies to make our website work, to improve your experience, to analyse our traffic and to tailor our communications and marketing. You can choose which of these to accept, or accept all.
Hardly a bar goes by that hasn't been painstakingly pondered in relation to the bar that follows...Under [Serebrier's] guidance the music unfolds naturally, unselfconsciously, and in well-balanced... — Gramophone Magazine, December 2014More…
Serebrier performs both works with affection, shaping phrases caressingly and negotiating the many tempos changes with aplomb, and he gets a ready response from the excellent Bournemouth Symphony... — BBC Music Magazine, April 2013, 4 out of 5 starsMore…
Serebrier considers the Symphony 'a masterpiece'; and his admiration for it is clear in this affectionate and lovingly shaped reading with the responsive Bournemouth Symphony Orchestra...with... — BBC Music Magazine, February 2014, 4 out of 5 starsMore…
When it comes to conducting Dvorak, Jose Serebrier isn't afraid to get mud on his boots...he presents a strong, thick-set Dvorak Seventh, managing some skilful transitions en route, in particular... — Gramophone Magazine, May 2012More…
However often the Bournemouth Symphony, like every other orchestra, must have played the 'New World', there's no sense of routine in their response here: in the slow movement especially, their... — Classic FM Magazine, February 2012, 3 out of 5 starsMore…
