Contemporary
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Rihm/Bartok: Schrift-Um-Schrift
Graumacher Piano Duo, Franz Schindlbeck & Jan Schlichte (percussion)
This performance is a model of sustained alertness, the recording admirably spacious and sonorous. —
Awards:
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Gramophone Magazine, March 2011, Editor's Choice
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The Tilbury pieces are cult contemporary classics that disperse beautifully heard scraps of material around a spacious canvas. The Miscellany is an evolving sketchpad documenting Wolff's myriad... —
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Donaueschinger Musiktage 2009, Vol. 2
These are all world premiere recordings
Romain Bischoff (bass-baritone), Nicolas Crosse (double bass), Peter Veale (oboe), Carl Rosman (clarinet), Alban Wesly (bassoon) & Dirk Rothbrust (percussion)
Ictus Ensemble, EXPERIMENTAL STUDIO de SWR, Georges-Elie Octors
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In Im Raum, the memories are musical ones, echoes of Stravinsky and Bruckner, embedded in music that is constantly changing as the players move around. It's an extraordinarily compelling 40-minute... —
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Designed as a meditation on the Passion story, it's an austere, rather forbidding piece: the style of the motets...harks back to Renaissance polyphony...while the sonatas are far more dramatic...Altogether,... —
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Bruno Maderna: Complete Works for Orchestra Vol. 3
Carole Sidney Louis (soprano), Thaddeus Watson (flute) & Michael Sieg (oboe)
HR-Sinfonieorchester & Frankfurt Radio Symphony Orchestra, Arturo Tamayo
Tamayo's ear for how the fragments inform the whole is on the button, and those glowing strings, and the soulful extended cor anglais solo, mean this is the Biogramma of choice —
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Musica Viva 16
Axel Gremmelspacher, Peter Hoffmann, Sven Thomas Kiebler, Eun Ju Kim, Hansjörg Koch, Irmela Roelcke, Elmar Schrammel
James Avery
