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Poissance d'amours
Mystics, monks and minstrels in 13th-century Brabant
Graindelavoix, Björn Schmelzer (director)
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Maier, M: Atalanta Fugiens
Recorded in St Andrew’s Church, Toddington, Gloucestershire August 2008
Ensemble Plus Ultra: Grace Davidson (soprano), Clare Wilkinson (alto), Warren Trevelyan-Jones (tenor), Giles Underwood (bass), Stephen Jones (er-hu), Sue Addison (sackbut) & Marie Bournisien (Renaissance harp)
Michael Noone (direction)
The uppermost lines represent Atalanta and Hippomenes, while the cantus firmus, from a Gregorian plainsong, signifies the apples Hippomenes rolled in Atalanta’s way during their race, enabling... —
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J S Bach - De Occulta Philosophia
José Miguel Moreno (baroque lute), Emma Kirkby (soprano), Carlos Mena (countertenor)
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Stella Del Nostro Mar
Past and present reflections of the Marian inspiration
Cantica Symphonia, Giuseppe Maletto
The vocal quartet's tone is gentle and not overly assertive… at its best the results are very satisfying. Isaac's setting of the popular Alma redemptoris chant is glowingly done, and incidentally... —
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L’Amor de Lonh
Medieval songs of love and loss
Ensemble Gilles Binchois: Anne-Marie Lablaude (soprano), Cyprianos Sadek (baritone), Baptiste Romain (viol & cornamuse), Keyvan Chemirani (zarb & daf ) & Dominique Vellard (tenor & oud, direction)
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