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Poissance d'amours
Mystics, monks and minstrels in 13th-century Brabant
Graindelavoix, Björn Schmelzer (director)
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Maier, M: Atalanta Fugiens
Recorded in St Andrew’s Church, Toddington, Gloucestershire August 2008
Ensemble Plus Ultra: Grace Davidson (soprano), Clare Wilkinson (alto), Warren Trevelyan-Jones (tenor), Giles Underwood (bass), Stephen Jones (er-hu), Sue Addison (sackbut) & Marie Bournisien (Renaissance harp)
Michael Noone (direction)
The uppermost lines represent Atalanta and Hippomenes, while the cantus firmus, from a Gregorian plainsong, signifies the apples Hippomenes rolled in Atalanta’s way during their race, enabling... —
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.. The beautifully balanced, positively projected 11 voices of Graindelavoix lavish on the Franco-Flemish Champion’s Missa de Sancta Maria Magdalena — an ingenious and rich-textured commentary... —
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Just how fine are the singers on this recording can be gauged from the last track… Cantica Symphonia's performance of his final setting of Ave regina celorum is extraordinarily moving, the... —
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Stella Del Nostro Mar
Past and present reflections of the Marian inspiration
Cantica Symphonia, Giuseppe Maletto
The vocal quartet's tone is gentle and not overly assertive… at its best the results are very satisfying. Isaac's setting of the popular Alma redemptoris chant is glowingly done, and incidentally... —
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Cecus: Alexander Agricola and his contemporaries
Recorded in Duisburg (Belgium) in February 2010
Graindelavoix, Björn Schmelzer
[The Agricola is] the first recording of a piece that looks slight on the page but is moving enough in performance...it's good of Graindelavoix to tackle some fo the famous pieces of the time... —
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