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Vaughan Williams - Piano Concerto Ashley Wass (piano)
Royal Liverpool Philharmonic Orchestra, James Judd
Ashley Wass's commanding way with the solo part is beautifully poised in the Romanza, while admirably resisting any temptation to smooth over the Toccata's hard edges. Both in the Concerto and... — More…
Awards:
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Gramophone Magazine, December 2009, Editor's Choice
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Not only does this gifted young pianist possess a rock-solid technique and striking keyboard finesse, his penetrating accounts of both these large-scale, single-movement sonatas make you sit... — More…
Awards:
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Gramophone Magazine, October 2004, Editor's Choice
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Jackson and Wass are well acclimatised to Bax's elusive idioms, and Jackson's sensitivity and sustained singing tone in places such as the Legend and the slow movement of the Second Sonata are... — More…
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…Bax's monumental Symphonic Variations was written in 1916-18 at the height of his torrid affair with Harriet Cohen… Ashley Wass and James Judd… seem to find an extra degree of rhythmic excitement... — More…
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Wass plays with identification and sensitivity, with a delicate touch and resourceful use of pedal to create atmosphere… Bridge enthusiasts need not hesitate. — More…
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Wass plays all this music straight and honestly, with a sure instinct for its idioms, without surrendering to the more self-indulgent aspects of Bax's chromaticism. Wass has plenty of power... — More…
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Frank Bridge's two piano trios make a natural coupling. The 1907 Phantasie Trio is a prime example of the ruggedly mellifluous chamber style of his early years… The much larger Trio No. 2 (1928-29),... — More…
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…a disc that enlarges one's view of Bax, and that effect is certainly due to the committed and idiomatic playing of Ashley Wass and Martin Roscoe. Their vigour and brio in the Vivo e feroce... — More…
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…the principal focus of this disc is the composer's solo piano arrangement of the Enigma Variations, and unlikely as it might seem the music sound surprisingly effective in this form. …Wass... — More…
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