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Special offer. Vaughan Williams - Piano Concerto

Ashley Wass (piano)

Royal Liverpool Philharmonic Orchestra, James Judd

Vaughan Williams - Piano Concerto

Awards:

Ashley Wass's commanding way with the solo part is beautifully poised in the Romanza, while admirably resisting any temptation to smooth over the Toccata's hard edges. Both in the Concerto...

Special offer. Vaughan Williams - Piano Concerto

Ashley Wass (piano)

Royal Liverpool Philharmonic Orchestra, James Judd

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This release includes a digital booklet

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Awards:

Ashley Wass's commanding way with the solo part is beautifully poised in the Romanza, while admirably resisting any temptation to smooth over the Toccata's hard edges. Both in the Concerto...

About

The popular overture from Vaughan Williams’s incidental music for Aristophanes’s The Wasps introduces a suite whose mischievously witty, noble and farcical movements underline the play’s satire of the Athenian legal system.

A similar vivacity characterises his English Folksong Suite and The Running Set, where Vaughan Williams relishes setting tunes such as Barrack Hill, Irish Reel, The Blackthorn Stick and Cock o’ the North.

Folksong-like melodies also feature in his magnificent Piano Concerto, in which the magisterial influence of Bach and Busoni may also be heard.

"Make no mistake about it: this boy is special. What I love about his playing is its sincerity and tenderness. He doesn’t just caress the piano, he probes its soft depths with the utmost consideration.” The Independent

Contents and tracklist

I. Overture
Track length9:59
II. Entr'acte
Track length2:40
III. March Past of the Kitchen Utensils
Track length2:56
IV. Entr'acte
Track length3:39
V. Ballet and Final Tableau
Track length6:41
I. Toccata. Allegro moderato -
Track length6:38
II. Romanza. Lento
Track length9:15
III. Fuga chromatica con finale alla tedesca: Allegro - Lento - Largo sostenuto - Andante sostenuto -
Track length4:57
IV. Finale
Track length6:39
I. March, "Seventeen come Sunday" (Arr. G. Jacob for Orchestra)
Track length2:50
III. Intermezzo, "My Bonny Boy" (Arr. G. Jacob for Orchestra)
Track length3:12
IV. March, "Folk Songs from Somerset" (Arr. G. Jacob for Orchestra)
Track length3:02

Spotlight on this release

Awards and reviews

  • Gramophone Magazine
    December 2009
    Editor's Choice

Christmas 2009

Ashley Wass's commanding way with the solo part is beautifully poised in the Romanza, while admirably resisting any temptation to smooth over the Toccata's hard edges. Both in the Concerto and in the more familiar territory elsewhere, James Judd secures orchestral accompaniments of brilliant colour and focus.

July 2011

Wass delivers the solo part with impressive command. Outstanding recorded sound.

December 2009

The Piano Concerto of Vaughan Williams has been seriously undervalued… a performance as fine as this one from Ashley Wass will simply have one marvelling at the originality of the piece and its distinctive slant on the idea of a piano concerto.

June 2014

Vaughan Williams' concertante works have never enjoyed great fame, but this recording with James Judd and the RLPO shows his Piano Concerto to be worth getting to know - and young pianist Ashley Wass is a great ambassador. Gordon Jacob's orchestral version of the English Folk Song Suite (originally for wind band) is a delight, and the Aristophanic Suite from The Wasps is full of wit and colour.
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