New. Kevin Puts: Emily - No Prisoner Be
Joyce DiDonato (mezzo-soprano), Time For Three
Is it a song cycle? An opera? Musical theatre? Kevin Puts's new work Emily - No Prisoner Be, based on texts by Emily Dickinson, is all those things and more. There is a rock-pop aspect to the...
New. Kevin Puts: Emily - No Prisoner Be
Joyce DiDonato (mezzo-soprano), Time For Three
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Is it a song cycle? An opera? Musical theatre? Kevin Puts's new work Emily - No Prisoner Be, based on texts by Emily Dickinson, is all those things and more. There is a rock-pop aspect to the...
About
Emily Dickinson's poetry remains blazingly relevant - enigmatic, playful and defiant. Her words have become the spark for a groundbreaking artistic collaboration between Pulitzer Prize-winning composer Kevin Puts and multi-GRAMMY award-winning artists Joyce DiDonato, and the genre-defying string trio Time for Three.
Setting some of Dickinson's best-known poems alongside lesser-known gems in music that moves from intimate lyricism to electrifying virtuosity, Emily – No Prisoner Be is a thrilling theatrical song cycle, blending classical mastery with rock energy in a vivid reimagining of Dickonson's poetic universe.
Contents and tracklist
- Time For Three, Joyce DiDonato, Charles Yang, Ranaan Meyer, Nicolas Kendall, Francisco J. Núñez
- The Young People’s Chorus of New York City
No. 25, If I can stop one Heart from breaking (on Praetorius "Lo, How a Rose E'er Blooming")
Track length2:05
Awards and reviews
March 2026
Is it a song cycle? An opera? Musical theatre? Kevin Puts's new work Emily - No Prisoner Be, based on texts by Emily Dickinson, is all those things and more. There is a rock-pop aspect to the anthemic "They Shut Me Up', while 'I dwell in Possibility' is more shyly epic.
February 2026
Theatricality comes naturally to Puts, which is why these so-called songs are on a continuum between aria and arioso, with lyrical vocal lines conveying words at hand with the emotional specificity of Richard Strauss at his best.
28th January 2026
She does nothing in half-measures and over the cycle’s 26 tracks expresses herself with such powerful conviction that for a fleeting moment you know exactly what Dickinson meant when she wrote about “finite infinity” or a “plummet strain”...Direct communication is also enhanced by the modest accompanying forces of the American string trio Time for Three, alternately gutsy and tender, and always rhythmically precise.