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New. Verdi

Lise Davidsen (soprano), London Philharmonic Orchestra, Edward Gardner

Verdi
The strongest performances on this album are the two roles Davidsen has performed on stage...Davidsen is the finest Elisabetta I've heard live and her "Tu che le vanità' is majestic here, her...

New. Verdi

Lise Davidsen (soprano), London Philharmonic Orchestra, Edward Gardner

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The strongest performances on this album are the two roles Davidsen has performed on stage...Davidsen is the finest Elisabetta I've heard live and her "Tu che le vanità' is majestic here, her...

About

Decca Classics proudly announces Lise Davidsen: Verdi, released on 11 September. Recorded with Edward Gardner and the London Philharmonic Orchestra, the album marks the Norwegian soprano’s first recording devoted entirely to Verdi, bringing together scenes from five of the composer’s greatest operas: Macbeth, Un ballo in maschera, La forza del destino, Don Carlo and Aida.

Described by Metropolitan Opera General Manager Peter Gelb as “in a league of her own,” Davidsen is widely recognised as one of today’s leading dramatic sopranos. Earlier this year, her role debut as Isolde in Wagner’s Tristan und Isolde at Barcelona’s Gran Teatre del Liceu prompted Fiona Maddocks in The Observer to ask: “Is Lise Davidsen the soprano of the century?” Following acclaimed performances as Elisabeth in Don Carlo, Leonora in La forza del destino and her recent role debut as Lady Macbeth in Copenhagen, the release arrives one week before she opens the Metropolitan Opera’s 2026/27 season as Lady Macbeth, alongside fellow Decca tenor Freddie De Tommaso as Macduff.

Rather than simply bringing together some of Verdi’s best-known arias, the album explores the emotional worlds of five remarkable women. From Elisabeth’s quiet dignity and Leonora’s search for redemption to Amelia’s vulnerability, Lady Macbeth’s psychological darkness and Aida’s inner conflict, these performances reveal Verdi’s extraordinary understanding of character and drama. Recorded with Edward Gardner, one of today’s foremost interpreters of this repertoire, and the London Philharmonic Orchestra, the performances combine dramatic intensity with lyrical refinement, bringing fresh perspective to some of Verdi’s greatest heroines.

Contents and tracklist

Nel dì della vittoria
Track length4:53
Duncano sarà qui?
Track length2:28
La luce langue
Track length4:12
Vegliammo invan due notti
Track length3:10
Una macchia è qui tuttora
Track length6:51
Prelude
Track length2:28
Ecco l'orrido campo
Track length1:30
Ma dall'arido
Track length5:21
Morrò, ma prima in grazia
Track length4:36
Son giunta! – Madre pietosa vergine
Track length6:08
La vergine degli angeli
Track length3:47
Non piangar, mia compagna
Track length4:38
Tu che le vanità
Track length4:55
Francia, nobile suol, si caro ai miei verd'anni!
Track length5:29
Ritorna vincitor!
Track length7:23

Spotlight on this release

Awards and reviews

Awards Issue 2026

The strongest performances on this album are the two roles Davidsen has performed on stage...Davidsen is the finest Elisabetta I've heard live and her "Tu che le vanità' is majestic here, her plush soprano sculpting long sweeping phrases in glorious marble arcs.

10th September 2026

For every kilowatt of power, she seeks out – and on the whole finds – moments of contrasting vulnerability (though none of Davidsen’s women are exactly shrinking violets)... Throughout, the London Philharmonic Orchestra prepares the detailed canvases for Davidsen’s striking portraits.

Limelight Magazine November 2026

In Duncano sara qui, in which she urges the night to cover up their crimes, it’s her control of the virtuosic vocal fireworks that impresses, as well as the clarity of the musical ideas, handsomely supported by the London Philharmonic Orchestra...The sheer power of Davidsen’s voice is wielded to awesome effect in Ma dall’arido stelo divulsa from Un ballo in Maschera.
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