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Corea, Higdon & Warnaar: Brass Concertos

Jose Sibaja, Joseph Alessi, Paul Jenkins, Derek W. Hawkes, Steven Brown, Gilbert Long, Nashville Symphony, Giancarlo Guerrero

The composers have contemplated playing to the most exciting qualities of these timbres, as well as connecting with the personalities of those for whom the pieces were written.

Corea, Higdon & Warnaar: Brass Concertos

Jose Sibaja, Joseph Alessi, Paul Jenkins, Derek W. Hawkes, Steven Brown, Gilbert Long, Nashville Symphony, Giancarlo Guerrero

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This release includes a digital booklet

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The composers have contemplated playing to the most exciting qualities of these timbres, as well as connecting with the personalities of those for whom the pieces were written.

About

This album represents part of Giancarlo Guerrero and the Nashville Symphony’s mission to expand the contemporary American concerto repertoire, with each of these three works spotlighting a different facet of the relatively underexplored brass instrument family. Brad Warnaar’s Cornet Concerto draws on a rich heritage of 19th-century band music with wit and heartfelt homage, while Chick Corea’s Trombone Concerto, his final completed composition, fuses lyricism, jazz spontaneity, and orchestral drama. Jennifer Higdon’s Low Brass Concerto honors the spirit of this orchestral section through a majestic single-movement work of clarity and resonance. All of these pieces expand the expressive possibilities of the brass concerto in ways that are both surprising and deeply engaging.

Contents and tracklist

Ia. And You Are?...
Track length1:33
Ib. Jubilee Waltz
Track length5:41
Ic. Bailey's Gallop
Track length1:03
II. Bill Moore
Track length5:48
III. The Ta-ca-Ta-ca-Toccata
Track length5:27
A Stroll Opening
Track length3:30
I. A Stroll
Track length7:07
II. Waltse for Joe
Track length3:04
III. Hysteria
Track length3:31
IV. Joe's Tango
Track length7:24

Awards and reviews

January 2026

The composers have contemplated playing to the most exciting qualities of these timbres, as well as connecting with the personalities of those for whom the pieces were written.
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