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US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details

Special offer. Lerner & Loewe's My Fair Lady

Scarlett Strallen (Eliza Doolittle), Jamie Parker (Henry Higgins), Alun Armstrong (Alfred P. Doolittle), Malcolm Sinclair (Colonel Pickering), Laurence Kilsby (Freddy Eynsford-Hill), Julia McKenzie (Mrs Pearce), Penelope Wilton (Mrs Higgins)

Sinfonia of London, John Wilson

Lerner & Loewe's My Fair Lady

Awards:

[The appendix] may be for completists only, but the standard text is delivered to such a high standard as to make this an essential set for anyone seriously interested in the score. Apart from...

Special offer. Lerner & Loewe's My Fair Lady

Scarlett Strallen (Eliza Doolittle), Jamie Parker (Henry Higgins), Alun Armstrong (Alfred P. Doolittle), Malcolm Sinclair (Colonel Pickering), Laurence Kilsby (Freddy Eynsford-Hill), Julia McKenzie (Mrs Pearce), Penelope Wilton (Mrs Higgins)

Sinfonia of London, John Wilson

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2 SACDs

$40.25

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From Original price $20.00 Reduced price $10.00

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Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($35.00) Reduced price $17.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($25.75) Reduced price $13.00

320 kbps, MP3

Original price ($20.00) Reduced price $10.00

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

[The appendix] may be for completists only, but the standard text is delivered to such a high standard as to make this an essential set for anyone seriously interested in the score. Apart from...

About

John Wilson comments: My Fair Lady is the quintessential American London musical. There is not a semiquaver or a semi-colon in the wrong place. Steven Wilkie, one of the fiddle players in my orchestra, describes it as The Marriage of Figaro of the twentieth century. And when I asked the great opera conductor Richard Bonynge what the finest post-World War Two operas are, he said, My Fair Lady, Oklahoma!... theyre the great operas that will live on. We have recorded every note, including underscoring, plus all the music written but cut before opening, with the instrumentation exactly as it was on opening night. Also, thanks to recent research, we have the restored original orchestrations. The reason I want to record everything the composer, lyricist, book-writer, and orchestrator did is that I believe it is a piece of significance by people who were masters of their art and craft. This was not written in an afternoon; it was chiselled away for months. They were ruthless in excising anything they felt would not make the grade. We have a duty to set down as closely as we can their final thoughts on what they created.

Contents and tracklist

Overture
Track length3:14
Act I Scene 1: Opening Scene
Track length1:22
Act I Scene 1: Why Can’t the English?
Track length2:38
Act I Scene 1: Wouldn’t It Be Loverly?
Track length4:54
Act I Scene 2: Come on, Eliza, slip your old Dad half a crown to go home on
Track length0:27
Act I Scene 2: With a Little Bit of Luck
Track length3:07
Act I Scene 2: Change of Scene
Track length0:21
Act I Scene 3: In six months – in three if she has a good ear and a quick tongue
Track length0:54
Act I Scene 3: I’m an Ordinary Man
Track length4:16
Act I Scene 3: Change of Scene
Track length0:22
Act I Scene 4: How’d ya like that?
Track length1:22
Act I Scene 4: With a Little Bit of Luck (Reprise)
Track length1:38
Act I Scene 4: Change of Scene
Track length0:20
Act I Scene 5: Say your vowels
Track length0:56
Act I Scene 5: Just You Wait
Track length4:02
Act I Scene 5: The Servants’ Chorus
Track length4:54
Act I Scene 5: The Rain in Spain
Track length2:26
Act I Scene 5: I Could Have Danced All Night
Track length3:45
Act I Scene 5: Change of Scene. Race Track Fanfare
Track length0:06
Act I Scene 6: Colonel Pickering, I don’t understand
Track length2:01
Act I Scene 7: Ascot Gavotte
Track length3:25
Act I Scene 7: End of Gavotte and Blackout Music
Track length0:54
Act I Scene 8: Officer, I know this is Wimpole Street
Track length0:08
Act I Scene 8: On the Street Where You Live
Track length3:47
Act I Scene 9: Eliza’s Entrance
Track length1:23
Act I Scene 9: Introduction to Promenade
Track length0:53
Act I Scene 10: Promenade
Track length1:35
Act I Scene 11: Embassy Walt
Track length3:14
Entr’acte
Track length3:25
Act II Scene 1: You Did It
Track length5:39
Act II Scene 1: Just You Wait (Reprise)
Track length0:45
Act II Scene 2: On the Street Where You Live (Reprise)
Track length1:39
Act II Scene 2: Show Me
Track length2:18
Act II Scene 3: The Flower Market
Track length3:29
Act II Scene 3: Get Me to the Church on Time
Track length6:26
Act II Scene 3: Change of Scene
Track length0:29
Act II Scene 4: Now, see here, my good man
Track length0:09
Act II Scene 4: A Hymn to Him
Track length4:36
Act II Scene 4: Change of Scene
Track length0:20
Act II Scene 5: Well, Eliza, you’ve had a bit of your own back
Track length2:03
Act II Scene 5: Without You
Track length3:27
Act II Scenes 6 & 7: I’ve Grown Accustomed to Her Face
Track length6:42
Act II Scene 7: Music for Curtain Calls
Track length1:19
Act II Scene 7: Exit Music
Track length4:30
Act I Original Ending: Come to the Ball
Track length3:45
Act I Original Ending: Dressing Eliza Ballet
Track length4:19
Act I Original Ending: Say a Prayer for Me Tonight
Track length1:44
Act I Original Ending: Bridge after Say a Prayer for Me Tonight
Track length2:10
Act I Original Ending: Ballroom Introduction - Embassy Waltz (Original Version)
Track length3:31
Act I Freddie's Song Original Version: End of Ascot
Track length0:10
Act I Freddie's Song Original Version: On the Street Where You Live
Track length4:33
My Fair Lady, Utility Cue
Track length1:13
My Fair Lady, Utility Cue: Get Me to the Church on Time
Track length2:03
My Fair Lady, Utility Cue: Why Can’t a Woman?
Track length0:28

Spotlight on this release

Awards and reviews

November 2025

[The appendix] may be for completists only, but the standard text is delivered to such a high standard as to make this an essential set for anyone seriously interested in the score. Apart from the outstanding orchestral playing and choral singing...the finely chosen cast is a joy in terms of vocal and verbal expertise.

27th September 2025

The cast has been carefully chosen. Scarlett Strallen makes an intelligent, nicely lyrical Eliza Doolittle...the sizzling playing of Wilson and his orchestra in the instrumental numbers keeps the zest levels high. To aficionados of Broadway and the West End this recording is self-recommending.

Awards Issue 2025

This is essential listening for anyone who loves musical theatre. Enchantment really does pour out of every door; this is a landmark recording, destined to give enormous and lasting pleasure.

26th September 2025

Wilson combines Henry Higgins’s forensic ear for detail with heart-on-sleeve love for the score…Parker gives us a younger, more volatile and infinitely more musical incarnation of the snobbish phonetician than the role's creator Rex Harrison, and there’s real erotic chemistry with his protegée Eliza. Armstrong is a delight as her wily, workshy father, despatching his showstoppers with gutsy flair, wicked comic timing and a pitch-perfect Cockney accent which never veers into Dick Van Dyke territory.

Limelight Magazine November 2025

Wilson’s instincts are sound, moving seamlessly from spoken word to song…[Strallen] sings Eliza Doolittle with panache. She’s fiery when she needs to be, and vulnerable too...As Higgins, Jamie Parker captures the overweening arrogance and casual misogyny of the man while investing the role with sufficient charm to prevent us ever switching off...In short, another one for the library.
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