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Sibelius: Symphonies Nos. 6 & 7, The Tempest

Gothenburg Symphony Orchestra, Santtu-Matias Rouvali

Sibelius: Symphonies Nos. 6 & 7, The Tempest
This final instalment of Santtu-Matias Rouvali’s Sibelius symphonies cycle showcases an evident talent – one with a real way of adding value to a fine orchestra’s contribution, besides (thankfully)...

Sibelius: Symphonies Nos. 6 & 7, The Tempest

Gothenburg Symphony Orchestra, Santtu-Matias Rouvali

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This final instalment of Santtu-Matias Rouvali’s Sibelius symphonies cycle showcases an evident talent – one with a real way of adding value to a fine orchestra’s contribution, besides (thankfully)...

About

This volume concludes the complete Sibelius symphonies performed by the Gothenburg Symphony Orchestra under Santtu-Matias Rouvali. This series has already won numerous awards around the world and reaches its climax here with three of Sibelius' greatest symphonies: Andrew Mellor writes in his introductory text that "we hear music carried by forms of gravitational energy reminiscent of those that govern the course of a river".

Rouvali has also chosen to record eight extracts from Sibelius' incidental music for Shakespeare's The Tempest. First performed in March 1926, it is one of Sibelius's final orchestral works and is certainly his most fascinating composition for the theatre.

Contents and tracklist

I. Allegro molto moderato - Poco tranquillo
Track length9:19
II. Allegretto moderato - Poco con moto - Poco a poco meno piano - Tempo I
Track length7:01
III. Poco vivace
Track length3:44
IV. Allegro molto - Allegro assai - Doppio più lento
Track length10:22
I. Largamente assai
Track length3:22
II. Andante con moto
Track length2:03
III. Allegretto grazioso
Track length2:08
IV. Largo
Track length1:51
V. Allegretto moderato
Track length0:59
VI. Un poco con moto
Track length0:56
VII. Allegretto
Track length1:52
VIII. Poco con moto
Track length1:35

Awards and reviews

April 2025

This final instalment of Santtu-Matias Rouvali’s Sibelius symphonies cycle showcases an evident talent – one with a real way of adding value to a fine orchestra’s contribution, besides (thankfully) only a slight tendency to the sort of point-making that gets in the way. It does no harm to pay straightforward attention to Sibelius’s sparing, but no-nonsense tempo and dynamic markings.

April 2025

Concision is at the heart of these pieces. Once it’s said, it’s said. It’s there and then it’s gone. No embellishment or prevarication. The Sixth has an air of fantasy about it, a childlike logic and wonder. But the wonder is realised from moment to moment – and the rest is silence. Rouvali and the Gothenburgers really fill those silences where and whenever they occur. 
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