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Bizet: Carmen
Deepa Johnny (Carmen), Stanislas de Barbeyrac (Don José), Nicolas Courjal (Escamillo), Iulia Maria Dan (Micaëla)
Orchestre de l'opéra de Rouen Normandie, Chœur Accentus, Chœur d’enfants de la Maîtrise du Conservatoire de Rouen, Ben Glassberg, Romain Gilbert
Awards:
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Gramophone Magazine, January 2025, DVD/Blu-ray of the Month
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International Opera Awards, 2025, Shortlisted - Complete Recording
If nothing else, this video reminds us that opera in the 19th century was a visual spectacle, and that spectacle wasn’t some sort of vulgar concession to the demands of idle entertainment.
Bizet: Carmen
Deepa Johnny (Carmen), Stanislas de Barbeyrac (Don José), Nicolas Courjal (Escamillo), Iulia Maria Dan (Micaëla)
Orchestre de l'opéra de Rouen Normandie, Chœur Accentus, Chœur d’enfants de la Maîtrise du Conservatoire de Rouen, Ben Glassberg, Romain Gilbert
Purchase product
Awards:
-
Gramophone Magazine, January 2025, DVD/Blu-ray of the Month
-
International Opera Awards, 2025, Shortlisted - Complete Recording
If nothing else, this video reminds us that opera in the 19th century was a visual spectacle, and that spectacle wasn’t some sort of vulgar concession to the demands of idle entertainment.
About
Carmen, the most famous heroine of Romantic opera, has never been so moving and rebellious as in the historical staging of 1875, whose flamboyant Spanishry is brought back to life here with the help of unpublished archive material.
Contents and tracklist
- Deepa Johnny (Carmen), Stanislas de Barbeyrac (Don José), Nicolas Courjal (Escamillo), Iulia Maria Dan (Micaëla), Faustine De Monès (Frasquita), Floriane Hasler (Mercédès), Florent Karrer (Le Dancaïre), Thomas Morris (Le Remendado), Nicolas Brooymans (Zuniga), Yoann Dubruque (Moralès), Chœur d’enfants de la Maîtrise du Conservatoire de Rouen, Romain Gilbert
- Opéra Orchestre Normandie Rouen, Accentus
- Ben Glassberg
Spotlight on this release
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Awards and reviews
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Gramophone MagazineJanuary 2025DVD/Blu-ray of the Month
-
International Opera Awards2025Shortlisted - Complete Recording
January 2025
If nothing else, this video reminds us that opera in the 19th century was a visual spectacle, and that spectacle wasn’t some sort of vulgar concession to the demands of idle entertainment.
