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Puccini: Madama Butterfly
Asmik Grigorian (Cio-Cio San), Joshua Guerrero (Pinkerton), Lauri Vasar (Sharpless), Hongni Wu (Suzuki), Ya-Chung Huang (Goro), Jeremy White (The Bonze)
Royal Opera House Covent Garden, Kevin John Edusei, Moshe Leiser & Patrice Caurier
If there are vocal imperfections – some pitch trouble on her entrance, though Grigorian is in good company there – they are soon forgotten by the intensity of the soprano’s delivery, and countless...
Puccini: Madama Butterfly
Asmik Grigorian (Cio-Cio San), Joshua Guerrero (Pinkerton), Lauri Vasar (Sharpless), Hongni Wu (Suzuki), Ya-Chung Huang (Goro), Jeremy White (The Bonze)
Royal Opera House Covent Garden, Kevin John Edusei, Moshe Leiser & Patrice Caurier
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If there are vocal imperfections – some pitch trouble on her entrance, though Grigorian is in good company there – they are soon forgotten by the intensity of the soprano’s delivery, and countless...
About
When young Japanese geisha Cio-Cio-San marries American naval officer Pinkerton, she believes she is entering a marriage for life. Forsaking her religion and community, she dreams of a future with
her new husband, only to learn that for Pinkerton, their marriage is merely an illusion — one with tragic consequences.
With its exquisite score, Giacomo Puccini’s poignant 1904 opera is as beautiful as it is shattering. Drawing inspiration from 19th-century European images of Japan, Moshe Leiser and Patrice Caurier’s
production stars Asmik Grigorian with Kevin John Edusei conducting.
"Grigorian inhabits the part to a degree one does not often experience." (The Guardian ★★★★)
"A delightfully simple balance between Japanese culture and the west." (The Daily Express ★★★★)
"A blisteringly poignant revival of Puccini’s tragic drama." (The Independent ★★★★)
Contents and tracklist
- Asmik Grigorian (Cio-Cio San), Joshua Guerrero (Pinkerton), Lauri Vasar (Sharpless), Hongni Wu (Suzuki), Ya-Chung Huang (Goro), Jeremy White (The Bonze), Royal Opera House Covent Garden (opera company)
- Kevin John Edusei
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Awards and reviews
February 2025
If there are vocal imperfections – some pitch trouble on her entrance, though Grigorian is in good company there – they are soon forgotten by the intensity of the soprano’s delivery, and countless expressive touches in body language and facial expression (something you’d probably never have grasped in the opera house).
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