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Freezing

Emily D'Angelo (mezzo), Sophia Muñoz (piano), Bruno Helstroffer (guitar), Jonas Niederstadt (bass, synthesizer), Fridolin Blumer (double bass)

Freezing

Awards:

The most striking moments on ‘Freezing’ belong to those songs which fit neatly into neither the folk nor the classical mould. Magical weblike melodies are woven throughout Cecilia Livingston’s...

Freezing

Emily D'Angelo (mezzo), Sophia Muñoz (piano), Bruno Helstroffer (guitar), Jonas Niederstadt (bass, synthesizer), Fridolin Blumer (double bass)

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96 kHz, 24 bit, FLAC/ALAC/WAV

$17.50

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320 kbps, MP3

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No digital booklet included

Stream now Hi-RES 96 kHz, 24 bit

Awards:

The most striking moments on ‘Freezing’ belong to those songs which fit neatly into neither the folk nor the classical mould. Magical weblike melodies are woven throughout Cecilia Livingston’s...

About

Canadian-Italian singer Emily D’Angelo announces her upcoming second solo DG album freezing, which features seventeen songs drawn from folk tradition, art song and beyond. The mezzo-soprano offers a personal take on music that spans five centuries, ranging from songs by John Dowland and Henry Purcell; Rebecca Clarke, Zoltán Kodály, W.C. Handy and Philip Glass; to recent works by Randy Newman, Jeanine Tesori, Cecilia Livingston, “Adrian Ira” Kramer and US band Ween.

The singer’s fascinating dark voice as well as the eloquent arrangements unite these very different pieces into a beautiful, spherical work of art. D’Angelo is joined by Sophia Muñoz (piano), Bruno Helstroffer (electric guitar) and Jonas Niederstadt (bass guitar, synth, percussion) on thirteen of the album tracks.

Listen to the pre-release title track of the album, a rendition of Philip Glass’s Freezing, with lyrics by Suzanne Vega. The album, which will be released digitally on 30 August, is now available for pre-order.

Contents and tracklist

Awards and reviews

  • Opus Klassik Awards
    2025
    Female Singer of the Year

Awards Issue 2024

The most striking moments on ‘Freezing’ belong to those songs which fit neatly into neither the folk nor the classical mould. Magical weblike melodies are woven throughout Cecilia Livingston’s brace of arresting and strangely alluring Lullabies, while the listener is kept guessing as to what might lie around the corner in Jeanine Tesori’s Grounded: Night Drive.
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