Dedicated to Francis Poulenc, Vittorio Rieti’s First Piano Concerto formed part of his early success in Paris during the 1920s, the work’s high spirits reflecting Rieti’s recent marriage and the birth of his son Fabio. The Second Piano Concerto started out as a harpsichord concerto for Wanda Landowska but was later recast. The Third Piano Concerto is notable for its deeply felt central Andantino, while the Concerto for Two Pianos and Orchestra is exuberant with cinematic themes. All of these works feature witty passages for orchestral soloists in dialogue with the piano, imbued with Rieti’s original and unpredictable style.