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Obrecht: Scaramella

The Binchois Consort, Andrew Kirkman

Obrecht: Scaramella

Awards:

It remains only to say that the solo male voices of The Binchois Consort are at the top of their form and that the presentation (with booklet material by Fitch and Andrew Kirkman) meets Hyperion’s...

Obrecht: Scaramella

The Binchois Consort, Andrew Kirkman

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This release includes a digital booklet

Stream now Hi-RES 192 kHz, 24 bit

Awards:

It remains only to say that the solo male voices of The Binchois Consort are at the top of their form and that the presentation (with booklet material by Fitch and Andrew Kirkman) meets Hyperion’s...

About

The challenges and rewards of performing early music are here vividly illustrated by The Binchois Consort, as creative scholarship comes to the aid of two substantial—but fragmentary—works by Jacob Obrecht, and an audacious recorded sound attempts to recreate the experience of the original performers 500 years ago: an album set to attract huge interest from critics and Renaissance scholars alike.

Contents and tracklist

Ia. Kyrie I
Track length0:56
Ib. Christe
Track length1:28
Ic. Kyrie II
Track length0:34
IIa. Gloria
Track length2:55
IIb. Qui tollis peccata mundi, miserere
Track length4:22
IIIa. Credo
Track length3:23
IIIb. Et incarnatus est
Track length4:21
IIIc. Et unam sanctam
Track length2:56
IVa. Sanctus
Track length2:00
IVb. Pleni sunt caeli
Track length0:55
IVc. Osanna I
Track length1:22
IVd. Benedictus
Track length1:32
IVe. Osanna II
Track length1:22
Va. Agnus Dei I
Track length2:03
Vb. Agnus Dei II
Track length2:08
Vc. Agnus Dei III
Track length2:26
I. Mater Patris, nati nata
Track length3:51
II. Ab aeterno
Track length4:27
III. Virgo mater Dei – Maria mater gratie
Track length6:36

Awards and reviews

Awards Issue 2024

It remains only to say that the solo male voices of The Binchois Consort are at the top of their form and that the presentation (with booklet material by Fitch and Andrew Kirkman) meets Hyperion’s top standards.
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