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Special offer. Go, Lovely Rose: Songs of Roger Quilter
James Gilchrist (tenor), Anna Tilbrook (piano)
Awards:
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Presto Recording of the Week, 21st June 2024
Gilchrist’s vibrato can be over-generously deployed, and a few moments sound a touch effortful; but, trusting wholeheartedly in Quilter’s creative instincts, he never over-interprets. It’s an...
Special offer. Go, Lovely Rose: Songs of Roger Quilter
James Gilchrist (tenor), Anna Tilbrook (piano)
Purchase product
Awards:
-
Presto Recording of the Week, 21st June 2024
Gilchrist’s vibrato can be over-generously deployed, and a few moments sound a touch effortful; but, trusting wholeheartedly in Quilter’s creative instincts, he never over-interprets. It’s an...
About
Born in Sussex in 1877, Roger Quilter was a fellow-student of Percy Grainger, Cyril Scott, and H. Balfour Gardiner at the Hoch Conservatory, in Frankfurt, where he studied for almost five years under the guidance of the German professor of composition Iwan Knorr. He is best known for his contribution to English art song, having composed around 150 songs, many of which remain regular recital favourites. For this album, the tenor James Gilchrist and pianist Anna Tilbrook explore his output from early works such as ‘Now sleeps the crimson petal’ through to late examples such as ‘The Ash Grove’. All of the songs are settings of English texts, with the exception of the Four Songs of Mirza Schaffy, which set German texts by Friedrich von Bodenstedt. The musicians have arranged their selection of twenty-seven songs into thematic groups – Shakespeare songs, songs about flowers, folksongs, songs of love etc. – which makes for a fascinating and rewarding programme.
Contents and tracklist
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Awards and reviews
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Presto Recording of the Week21st June 2024
August 2024
Gilchrist’s vibrato can be over-generously deployed, and a few moments sound a touch effortful; but, trusting wholeheartedly in Quilter’s creative instincts, he never over-interprets. It’s an instinct that gets to the heart of an output undeniably circumscribed yet irresistibly exquisite.
August 2024
Gilchrist’s voice has lost some of its lustre of late, and an edge can creep into his tone under pressure...His artistry and powers of insight, however, remain very much intact. Words always tell, without the need to nudge or fracture lines. Colour and dynamics are immaculate.
21st June 2024
delivered with a plain-spoken eloquence that goes straight to the heart of this unpretentious, instantly attractive music, this is a delightful compendium of little gems by a master songsmith whose gift for setting Shakespeare and folksong in particular is still perhaps overshadowed by his more trailblazing contemporaries.