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Polifemo - Arias by Händel, Alberti, Caldara, Porpora et al.
Luigi De Donato, Collegium 1704, Vaclav Luks, Tereza Zimková, Pavla Radostová
His voice is spirited and strong and the breath control across the long phrases is impressive...The album ends with the exquisite bass aria from Handel’s Aci, ‘ Fra l’ombre ’. As with many of...
Polifemo - Arias by Händel, Alberti, Caldara, Porpora et al.
Luigi De Donato, Collegium 1704, Vaclav Luks, Tereza Zimková, Pavla Radostová
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His voice is spirited and strong and the breath control across the long phrases is impressive...The album ends with the exquisite bass aria from Handel’s Aci, ‘ Fra l’ombre ’. As with many of...
About
Polyphemus, a cyclops of ancient Greek legend with one eye and three fngers on each hand, became a central fgure in many myths and in their musical settings by Baroque composers.
This son of Poseidon, a giant of insurmountable strength, appears in many fables, the best known of which are his encounters Odysseus during the hero's homeward journey and with Theseus, who kills Polyphemus.
The Italian bass Luigi De Donato has the right voice and temperament to represent the ideal embodiment of Polyphemus, and together with Collegium 1704 under the baton of Vaclav Luks he breathes life into ancient Greek legends. This new recording features arias from Handel, Porpora, Alberti and Bononcini. He is a multitalented musician and singer and has distinguished himself as one of the foremost interpreters of the repertoire of the 17th and 18th century working with leading conductors and Baroque ensembles.
Contents and tracklist
- Luigi De Donato, Collegium 1704, Vaclav Luks
- Luigi De Donato, Collegium 1704, Vaclav Luks
- Luigi De Donato, Collegium 1704, Vaclav Luks
- Luigi De Donato, Tereza Zimková, Pavla Radostová, Collegium 1704, Vaclav Luks
- Collegium 1704, Vaclav Luks
- Luigi De Donato, Collegium 1704, Vaclav Luks
- Luigi De Donato, Collegium 1704, Vaclav Luks
- Luigi De Donato, Collegium 1704, Vaclav Luks
Awards and reviews
August 2024
His voice is spirited and strong and the breath control across the long phrases is impressive...The album ends with the exquisite bass aria from Handel’s Aci, ‘ Fra l’ombre ’. As with many of the da capo pieces here De Donato adds litle by way of decoration, but his control of the vertiginous intervals and the resonance of his voice are very impressive indeed.