The score glows with colour and atmosphere – Puccini is the obvious comparison, though some of the orchestral writing is reminiscent of the young Korngold. In any case, Cilluffo is an expert advocate...It’s hard, too, to imagine a more persuasive Gloria than Anastasia Bartoli – a commanding, ardent stage presence with a rich Rioja of a voice.

The singers vary from good to very good… Bartoli as Gloria fits the picture visually, and has a fine soprano voice which easily encompasses the demands of the role… The orchestra and chorus are fine, and project the music very well. [Cilluffo] directs his forces with aplomb.