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Special offer. John Williams: Violin Concerto No. 1 & Bernstein: Serenade

James Ehnes (violin), Saint Louis Symphony, Stéphane Denève

John Williams: Violin Concerto No. 1 & Bernstein: Serenade

Awards:

I’ve always admired the modesty and truthfulness of James Ehnes as a player – and you can hear that modesty at work in Phaedrus’s opening address from the Bernstein Serenade. There’s an unfussy...

Special offer. John Williams: Violin Concerto No. 1 & Bernstein: Serenade

James Ehnes (violin), Saint Louis Symphony, Stéphane Denève

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From Original price $10.25 Reduced price $6.25

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96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($15.50) Reduced price $9.25

44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

I’ve always admired the modesty and truthfulness of James Ehnes as a player – and you can hear that modesty at work in Phaedrus’s opening address from the Bernstein Serenade. There’s an unfussy...

About

The St. Louis Symphony and their Stephane Deneve present a wonderful program featuring two of the most accomplished American composers in history: Leonard Bernstein with his and John Williams with his Concerto for violin and orchestra, both performed by star James Ehnes, one of the most exceptional North American violinists. John Williams himself was present at the recording o his violin concerto, working togetherwith the St. Louis Symphony, Deneve, and Ehnes. Both works evolve around love: Bernstein's Serenade was inspired by musings on love from Plato's Symposium while Williams's work was arguably inspired and eventually dedicated to his suddenly deceased wife. By combining these two concert pieces, this album puts the symphonic work of Bernstein and Williams at the center, two composers who weren't afraid of crossing the boundaries between film music and "serious" classical genres at a time when these worlds were generally kept far apart. Especially in Williams' concerto, there are still hints of his work as a film composer; the slow movement brings to mind a scene of emotional gravity.

Contents and tracklist

I. Phaedrus. Pausanias. Lento and Allegro
Track length6:27
II. Aristophanes. Allegretto
Track length4:23
III. Eryximachus. Presto
Track length1:31
IV. Agathon. Adagio
Track length7:36
V. Socrates. Alcibiades. Molto tenuto - Allegro molto vivace
Track length11:00
I. Moderato
Track length10:58
II. Slowly. In peaceful contemplation
Track length9:34
III. Broadly. Maestoso - Quickly
Track length9:56

Spotlight on this release

  • James Ehnes on John Williams and Leonard Bernstein

    24th Apr 2024by James Longstaffe

    The violinist talks about his new album of pieces by two titans of twentieth-century American culture, what their music has meant to him throughout his life, and his thoughts on the differing stylistic qualities and requirements of writing for film as opposed to the concert hall.

Awards and reviews

May 2024

I’ve always admired the modesty and truthfulness of James Ehnes as a player – and you can hear that modesty at work in Phaedrus’s opening address from the Bernstein Serenade. There’s an unfussy directness about it that looks you straight in the eye and immediately draws you in.
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