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Special offer. Mozart, You Drive Me Crazy!

Golda Schultz (soprano), Antonello Manacorda, Kammerakademie Potsdam with Julie Roset, Amitai Pati, Ashley Dixon Santelli, Milan Siljanov, Simone Easthope

Mozart, You Drive Me Crazy!

Awards:

She is a classy Mozartian and imbues each of her arias with character, pathos and purity of line. Her timbre is velvety, but there’s plenty of attack in fearsomely taxing arias such as Anna’s...

Special offer. Mozart, You Drive Me Crazy!

Golda Schultz (soprano), Antonello Manacorda, Kammerakademie Potsdam with Julie Roset, Amitai Pati, Ashley Dixon Santelli, Milan Siljanov, Simone Easthope

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This release includes a digital booklet

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Awards:

She is a classy Mozartian and imbues each of her arias with character, pathos and purity of line. Her timbre is velvety, but there’s plenty of attack in fearsomely taxing arias such as Anna’s...

About

'Mozart, You Drive Me Crazy!' This is the title that the South African soprano Golda Schultz has decided to give to her new album, devoted to the female heroines of Don Giovanni, Cosi fan tutte and Le nozze di Figaro, roles that have marked her career from Berlin to The Metropolitan Opera: 'Why does Mozart drive me crazy? First of all, because his music, which sounds so easy when you listen to it, is extremely difficult to perform . . . And when I immerse myself in the world of Da Ponte and Mozart, I realise that there's a deep complexity to their female characters: they endure the toughest trials, but they also display great strength. In fact, these operas explore humanity from the feminine perspective: every single one of these women is constantly evolving. They show how human beings transcend trauma and how grief and pain can be overcome.' The programme is conducted by another eminent Mozartian, Antonello Manacorda, with the Kammerakademie Potsdam.

Contents and tracklist

Quartetto. "Non ti fidar, o misera, di quel ribaldo cor!"
Track length3:47
Recitativo accompagnato. "Don Ottavio, son morta!"
Track length3:16
Aria. "Or sai chi l"onore"
Track length2:36
Recitativo. "Giunse alfin il momento"
Track length1:18
Aria. "Deh vieni non tardar"
Track length3:04
Recitativo. "Temerari, sortite fuori di questo loco!"
Track length1:13
Aria. "Come scoglio immoto resta"
Track length4:20
Recitativo accompagnato. "In quali eccessi, o Numi"
Track length2:18
Aria. "Mi tradì quest"alma ingrata"
Track length3:45
Recitativo. "E Susanna non vien!"
Track length1:35
Aria. "Dove sono i bei momenti"
Track length4:25
Recitativo. "Ei parte..senti..ah no!"
Track length1:26
Rondo. "Per pietà, ben mio, perdona"
Track length7:19

Spotlight on this release

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  • Golda Schultz on Mozart's Women

    The South African soprano (who is currently singing Fiordiligi at Covent Garden) discusses her new Mozart album on Alpha Classics, why the three Da Ponte operas feel 'more relevant than ever' today, and the role which 'changed her as a person' - even though she never wants to sing it again...

Awards and reviews

  • International Opera Awards
    2024
    Shortlisted - Recording (Solo Recital)
  • International Classical Music Awards
    2025
    Nominated - Vocal Music
  • Opus Klassik Awards
    2025
    Solo Vocal

June 2024

She is a classy Mozartian and imbues each of her arias with character, pathos and purity of line. Her timbre is velvety, but there’s plenty of attack in fearsomely taxing arias such as Anna’s ‘Or sai chi l’onore’ and Fiordiligi’s ‘Come scoglio’.

27th April 2024

spirited, thoughtful performances...More than a nice set of highlights, this album makes you think.

10th April 2024

Whether she’s Susanna, Fiordiligi or Donna Elvira, Schultz’s characterful voice glides and bubbles through its various quirks.
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